We saw the most beautiful movie the other day – The Maid, written and directed by Sebastian Silva. It isn’t stylistically gorgeous – it has the look of home videos from a decade or so ago – it is emotionally beautiful – full of honesty and grace and sly humor. Raquel, played by Catalina Saavedra in a remarkably precise, powerful and restrained performance – is the live-in maid for a middle class family in Chile. She’s been with them more than half of her life, their world is her world. She roams the house when everybody is gone, with vacuum and duster, but she has dominion over only a tiny portion, a cell-like bedroom that looks out onto the kitchen. She loves the family, and they love her, but with a stunted, confused sort of love that cannot express itself in real affection. She’s started to have horrible headaches and dizzy spells, so they decide to hire somebody to help her, despite her protestations. With a devastating blow of well-meaning cruelty, they give the new “girl” care of the kitchen and the food, thus taking away the source of Raquel’s comfort and power, the nexus between two worlds. This is the space where Raquel has control, where she is vitally important, the space from which she nurtures the family. When this is taken away from her, she doesn’t make life easy for the new maids, and the script cunningly plays on our expectations to suggest that we’re going to follow Raquel into a world of darkness and depravity. The manner in which these expectations are gratified or denied is a source of great film-watching joy, so I can’t say too much more without spoiling the film. I’ll just say that a few moments of exquisitely portrayed human connection, in all of its poignant confusion, happiness, and sorrow made this simple, understated tale of an ordinary woman one of the most powerful films I’ve seen in a long while. Honestly, I’ve put off writing about it all day because I can’t do it justice!

I know they have empanadas in Chile, but I don’t suppose they have any like these! I thought of them as a sort of cross between samosas and empanadas. So they have potatoes and peas (comforting and bright!) and they have smoky paprika, smoked gouda, spinach, and earthy black beans. The crunchy crust is made with masa harina, cayenne and black pepper. These were really delicious! I felt proud of them, and happy with the combination of flavors.

Here’s Ayayayay by Pedro Piedra from The Maid’s soundtrack.

And here’s Promesas by Los Mono, which is a video I was very taken with a few years ago. Turns out Sebastian Silva is Los Mono! Who knew?!?!
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