Of course, there’s no such thing as real silence in our life, and the more I listened the more I heard. Our house it attached, and I could hear small sounds from our only neighbors, two stories up. We live on one of the few big streets in town, and it was as close to rush hour as we get around here. (Which is more likely to mean lots of dogs walking by, than lots of traffic.) Our house is old, it creaks; the birds sing outside; appliances hum; people call to one another out on the street. If you’ve ever made a film, you’re familiar with the noisiness of rooms, because you’ve recorded “room tone.” You’ve recorded the noises that each room makes. And these noises fill in the wordless moments of the film, because pure silence would be shocking. It would seem unnatural, and you’d know you were watching a movie. A fact Godard demonstrates delightfully in Bande a Part. You can’t really tell from this clip, but it’s a beautiful scene. And maybe, sitting in the cafe with Anna Karina, at the next table, perhaps, somebody was eating these Galettes du vexin. These little cakes are like a moment of silence in the teeming dessert section of my french cookbook. In a chapter filled with sugar and butter and icing and creams and cookies and jams and rum, these are barely sweet enough to be called dessert. They’re more like buttermilk biscuits! Or even scones. They contain creme fraiche, which is lovely, and was very fun and easy to make. I was smitten with its beautifully creamy appearance. The little cakes are tender and mild. They seem very simple, but they have a distinctive flavor, if you take the time to discern it. It’s like listening to the silence! The more you pay attention, the more you notice.