Here’s Expectations by Belle and Sebastian.
French cake a week – Gateau au chocolat
This music has always felt like red wine and dark chocolate, to me. Which brings us to our French-cake-a-week. I’ve been trying to do all the simple ones, so this week I did the simple Gateau au chocolat. It’s a lovely flourless chocolate cake. But it does have quite a bit of corn starch, which I found surprising. The cake is extremely simple – and like the last few cakes, it has no leavening, but it got tall and puffy anyway. David said it’s crispy on top, then moist, then cakey. It’s like every good kind of brownie mixed in one cake. I don’t have a bundt pan, so I invented one with a quart-sized souffle dish with a little souffle cup, open-side up, buttered into the bottom. I made a strange looking cake! But lovely and tasty. We ate it with vanilla-flavored whipped cream, but it’s a cake that would be perfect for any of your simple cake needs. With berries, with creme anglaise, in a trifle…
Marin Marais and Antoine Forqueray, as played by Jordi Savall, the genius.
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French lentil, roasted mushroom tart with savory almond topping
Since the food we put on our table is an important issue, i’m going to tell you about this handsome tart! It’s actually quite simple. It’s a standard flaky pate brisee crust, with rosemary and black pepper added for deliciousness. On top of that we have a layer of french lentils sauteed in port wine and balsamic vinegar. Lentils might seem like an odd ingredient in a tart, but they add real substance and texture, and their lovely meaty flavor. And the mushrooms are chopped chunkily and roasted, so that when the savory almond custard is baked all around them, it’s almost like a savory clafouti or toad-in-the-hole. If I do say so myself, and I do, the whole thing turned out super-tasty. David liked it a lot, and said it’s a “birthday meal.”

Here’s Women’s Realm by Belle and Sebastian
Chocolate-saltine-almond balls and french cake cookies
Here’s Lee Perry with Cow Thief Skank, complete with a chorus of mooing cows.
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Spicy zucchini-corn risotto with toasted pumpkinseeds, and Risotto burgers
The next day I turned the ample leftovers into big juicy burgers, which we ate on buns with tomatoes and lettuce. If I’d had an avocado, I would have sliced that to go along with it.
Here’s a playlist of work songs for labor day.
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Cornmeal flatbread
I apologize for getting nearly political here. I know it’s not the place. But I feel quite upset about this, so I’ve got to talk about it! You know what’s comforting? Flatbread. Making it and eating it. I made this flatbread with some cornmeal, some thyme, and some mozzarella. I thought it was delicious. A nice crispy/chewy texture. They’re not cheesy, exactly, but they have a nice flavor of cheese, and it helps to make them less dry. The boys loved it, too. We ate it with grilled vegetables, sliced tomatoes, spicy fried potatoes, and a big big salad. It’s not hard to make, but it is one of those pleasant do a little bit all day long types of dish. It was nice fresh with dinner, and nice the next day toasted with scrambled eggs.
Here’s Billy Bragg with The Milkman of Human Kindness
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Lapsang souchong spice cookies
Here’s 5 am in Amsterdam, by Michelle Shocked, from her Campfire Tapes, with the backup cricket-singers. I had some trouble sleeping in the tent, but it wasn’t so bad being surrounded by my family, staring up at the brightening sky.
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French cake a week – gateau de savoie
We’re keeping it simple again this week, in our french-cake-a-week division, with a lovely gateau de savoie. This cake is, in truth, remarkably similar to last week’s genoise. The ingredients are nearly identical. The difference is that the eggs are separated, in this cake, this cake has less butter, and the cake is baked in a deep dish. Last week, I went on and on (and on) about how a genoise is like my favorite movie, L’atalante. This week we’ll continue the tradition, because I’d like to tell you about Aki Kaurismaki’s Le Havre. (I promise not to ramble on about how the film is like a cake, but I have to tell you that one of the youTube comments on the trailer is “such a beautiful film, simple and deep,” which could be said exactly of a gateau de savoie, with one word switched.) L’atalante begins in the port town of Le Havre, and the town is (suprise!) the setting of Kaurismaki’s film. Le Havre tells the story of a former bohemian poet-turned-shoeshiner. He’s a man with a simple but pleasant life. But when his wife falls ill and he makes a new friend, his world is gently, subtly turned upside down. The characters are ordinary people; the lovers are older, they’re not glamorous; the story is slow and simple, but it tells of huge changes in the life of an old man and a young boy. The film is beautifully made, all sea-green and rusted red, with a style and grace reminiscent of much older films. Despite the perfectly professional technical quality of the film and the admirable attention to detail, it looks like they had fun making it – in some places it’s as though an old group of friends got together to shoot a movie. Similarly, though the film teeters on the edge of tragedy, and peers into some deep, dark places, it retains a lightness and a wry humor. I’d heard, once, that tragedy ends in death and comedy ends in marriage, and Le Havre ends with the salvation of a marriage. It’s a funny thing, but my reaction at the end of the film was that Kaurismaki was brave to end the movie the way that he did. I remember discussions, back in the days of endless talking, about the fact that comedies could never be weighty or substantial – they could never be great works of art. Only a tragedy could be considered high art; comedies are low, they’re light. I’ve always found that idea troubling. I think it’s actually more difficult to create something happy. It’s easy to be shocking, depressing, degrading. It’s the refuge of juvenile directors to make sad and disturbing films, and express scorn for anything joyful or pretty. And yet real life is a combination of joy and sorrow, of beauty and ugliness, and I admire anyone who can tell a story that shows this, with humor and taste, and just the right amount of sweetness. So, this cake is deep, and light, and subtly sweet. Because of its simplicity it makes a nice base for other flavors – for fruit and cream, or compotes, or liqueurs or syrups. The directions require you to bake it in “un moule profond.” That’s right, a baking dish deep and full of meaning. I don’t have a wide selection of cake pans, so I used a quart-sized souffle dish – about 6 inches wide and 3 inches deep. It worked perfectly! The recipe suggested that you make a ring of paper to help contain the batter, and I did, but it wasn’t really necessary. The recipe also stated that you could use the “parfum” of your choice, and suggested vanilla, fleur d’orange, lemon zest. I chose a bit of vanilla and a bit of rum, because that’s what I had. When I made the genoise I couldn’t resist adding a bit of salt, but I didn’t do that this time, instead I cheated by using salted butter! The cake has very little butter, though, which contributes to its lovely lightness. The recipe also says that you can substitute starch for half the flour. I assume they mean corn starch, but I didn’t have any, so I went for the all-flour option.
Here’s Mr McTell Got the Blues, by Blind Willie McTell, used to nice effect in Le Havre.
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Roasted eggplant stacked with french lentils & chard and Malcolm’s spicy sauce and Isaac’s carrots & capers
Let us say, hypothetically, that a mother might have an incredibly cranky day. She might find herself in a foul mood, unable to get anything done that she needs to, and faced at every turn with sassy, rude and constantly needy children. (Not you or I, of course, we’re speaking of an imaginary person here.) Let’s say this mother’s throat hurts from so much yelling, and she feels terrible about it, because obviously, it doesn’t work to yell, or she wouldn’t be doing so damned much of it. Let’s say this bad mood continues even when the boys spontaneously and beautifully break into a rendition of Shake Your Tail Feather at the exact same time as she sees a goldfinch in a puddle shaking his tail feathers. Let’s say this bad mood continues while she makes dinner, and gets worse after when she’s folding stupid laundry. And then the whole family decides to go for a walk. They start down a nature trail. It’s very dusky among the trees, even though it’s barely eight o’clock. Everything is green and bright and glowing in the evening light. Somebody says it’s a good time of day for screech owls. So the whole family tries to call them by imitating their wavering downward cry. They scare off every living thing for miles. It gets so dark they decide to leave the trail, and they walk up into the park. The oldest son says let’s walk over and look at the river. The dad says, “It’s a Magritte sky!” And it was! Pale as day above the trees, but the branches and trunks are black and shadowy, and across the river the lights of cars and buildings shine as if at night. The world is shifting, as they watch, from light to dark. They pass a giant elm tree – it would take all of their arms to circle it. And suddenly there are toads everywhere! Everybody catches at least one for each hand. The cranky mom is smitten! A toad pees on her hand, and she doesn’t care. The feeling of the tiny toad hands brushing against hers, and the soft toad nose butting against her palms as it tries to push its way out makes her so happy that she doesn’t mind anything any more. They walk over to the bridge, which is surrounded by bright sky but stretches into blackness, suspended between day and night. And then they hear the screech owls crying deep in the dark pool of trees.
Well, I have no idea who that cranky mom was, but one thing that always makes me feel better when I’m irritable is cooking with the boys. The other night I had this whole meal planned out. Planned out to the last little pine nut, I tell you! And as I stood slicing my eggplant, Malcolm ran in determined to make a sauce with shallots, peppers and tomatoes. Okay, I said, that sounds good. Then Isaac jumped around saying, “What do I get to make?” What do you want to make? I asked. He peered in the vegetable drawer. “Carrots,” he replied, “And flavor dynamites.” He smelled a few spices. And these…(he had thyme, sage, smoked paprika and turmeric lined up.) Well, okay, I said, let’s get cooking. Malcolm’s sauce has cumin, smoked paprika, cilantro and fresh basil, so it’s a bit like Moroccan chermoula. As for the eggplant – I keep making it the same way, and I decided to try something a little different. I sliced it thicker, and cooked the slices slowly so they became quite soft. Then I stacked them with french lentils, made my favorite way, and with chard sauteed with golden raisins, garlic, and pine nuts, which is one of my favorite things to eat on the planet, and a slice of mozzarella. Delicious with Malcolm’s sauce and Isaac’s carrots and a salad. And some rosemary focaccia, which I made in 1 1/2 hours! All time record! I should note that the boys arranged their food and took the pictures themselves.Here’s The Five DuTones with Shake Your Tail Feather.
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Zucchini, green pea, feta, & mint paté and zucchini with tarragon and hazelnuts
Well! We’re still getting tons of zucchini, and I’m trying to love that, too. Here are two ways to prepare it that both use herbs from our garden. One is simple, one a little more complicated. The paté being the latter, though it’s really not difficult to make. I’m calling it a paté because it’s nice on toast or crackers, but we ate it one night as a side dish, and it was good that way too. Feta, mint and peas seem like such a natural combination – so fresh and sweet and salty, all at the same time. This paté has some almonds in, which gives it a sort of country-paté texture. In the simpler dish, the zucchini is sautéed briskly in butter till it’s nicely browned but still has a bit of crunch. It’s mixed with garlic, tarragon and some toasted hazelnuts. A nice side dish!
Here’s King Oliver’s Creole Jazz Band with Workingman’s Blues


















