Tomme de savoie and roasted mushroom tart

Tomme de savoie and mushroom tart

Tomme de savoie and mushroom tart

Hogarth Hughes is very brave, but he’s not fearless. When he hears a strange loud noise, he’ll head out into the darkness by himself, armed only with a flashlight duct-taped to a BB gun. But when he finds out that the loud noise was caused by a giant robot, he sensibly runs screaming. And then he turns back. What made him overcome his fear? Compassion. The giant robot is stuck in electrical wires, he’s helpless and screaming in pain. Hogarth heads back to turn off the electricity and save the giant. The giant recognizes this act of compassion, he’s grateful for the kindness, and this is how they become friends. The Iron Giant, a beautiful film by Brad Bird was made in 1999, set in 1957, and based on a fantastical novel called The Iron Man, written by Ted Hughes and published in 1968. The film is set during the cold war, the novel was written during the Vietnam war, and I write about it now after years of war in Iraq and Afghanistan, and frighteningly on the brink of another in Syria. And, of course, on the anniversary of 9/11, a day of sickening grief and fear. Unlike most movies about giant metal weapons, The Iron Giant is a peaceful movie: anti-war, anti-gun, even anti-hunting. Almost unwittingly, Hogarth shows the giant that he has a soul, because he cares for this little human boy. Tim McCanlies, the screenwriter of Iron Giant, has said that they chose to make paranoia the enemy in the film, rather than any physical, bomb-able character or country. The threat is fear, and the threat is the violence that our fear provokes in us. It feels right on this anniversary to watch a movie that celebrates friendship, empathy, and the strength to resist the urge to act thoughtlessly and violently in the face of our fear.

Tomme de savoie and mushroom tart

Tomme de savoie and mushroom tart

This recipe was inspired by another Brad Bird film…Ratatouille, of course! In the beginning of the film, Remy finds a piece of Tomme cheese, a mushroom, and a sprig of rosemary. He combines them all on a spit, and then he gets struck by lightning! The flavors combine to make a lightning-y delicacy. Well! I wasn’t going to actually get struck by lightning to make a tart! So I added some smoky flavor with roasted mushrooms and smoked paprika. I bought a little piece of Tomme de savoie cheese, and it was very lovely…semi-soft, creamy, mild but flavorful. If you can’t find it you could substitute any semi soft cheese–even goat cheese or brie.

Here’s Barbara Dane and The Chambers Brothers with Come By Here.

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Corn, avocado, french feta and cherry tomato salad

corn-and-avocado-saladWe’re just coming out of summer…floating up through the thick moist august air into the cool days of autumn, and I feel as though I’ve got the bends! I’m forgetful and moody and I’m having a hell of a time concentrating on anything. The boys are back in school, and my list of things I’ll get to it as soon as the boys are back in school is languishing in some pile of other things I’ve misplaced and forgotten all about. As the mornings and evenings draw in dark and chilly, I feel as though I’ve started casting out my silky and yet freakishly strong threads, and I’m winding them around everyone I love, pulling them home, where I’ll feed them warm food and keep them safe. I feel a bit like Clio, actually! Walking Isaac to school and meeting the boys at the end of the day are the highlights of my life at the moment, and everything in between is a confused blur. I’ll get back into a pattern, eventually, there’s so much I want to do. But for now, I’ll enjoy walking Isaac to school as a sort of meditation, a facet of my training as a student of Isaacstentialism. In my dazey half-awake state, I’ll put my hand out without looking, and know that his will be right there to take it in less than a moment. I’ll half listen as he talks and talks and says the sweetest things, and I’ll think about them for the rest of the day. Today he said that when he grows up he’s going to have a big field in his back yard, with grass in it that’s taller than his children, and they’ll play hide and seek in the grass, and Malcolm’s children will come over too, so all four of them (?!?!) will be there. And there will be a sort of maze in the grass, but a path through it, too, so they can all find their way home safely. And Isaac will have a porch above the grass so that he can see where his children are running, and he and Malcolm will sit on the porch and talk while their children play in the long green reeds below. Yeah. Next week everything will be clear and organized and I’ll get to work. This week, I’ll imagine myself like a child, running through long grass taller than me, all the world a beautiful shifting confusion of green, with a path to carry me safely home. “When a body catch a body coming through the rye…”

Leftover corn-on-the-cob is fun! Who knew!! This time I combined it with avocado, cherry tomatoes, french feta (but you could use regular feta or any crumbly cheese you like), fresh basil, fresh cilantro, pine nuts and lime juice. Fresh, sweet, salty, tart. Very nice indeed. I didn’t add any oil as a dressing, because I think the avocado serves that purpose. And the cherry tomatoes from the farm have been sweet as candy, so between those and the corn, I didn’t feel I needed to balance the lime juice with any extra sweetness, but you could always add a drizzle of honey. You could also add roasted garlic, hot sauce, or any other thing you like.

Here’s Whispering Grass by The Ink Spots.

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Cornmeal-crusted roasted potatoes

Cornmeal crusted roasted potatoes

Cornmeal crusted roasted potatoes

I like to think about a time when people walked everywhere. Not just all around town, but from town to town, because there weren’t cars or bikes or busses or trains, and they couldn’t afford carriage fare. Like Nicholas Nickleby or David Copperfield walking from York to London, and having adventures along the way, of course: and thus a novel is born. A novel seems to move along at a walking pace, which is maybe why I like novels, because I love walking. I like to go for a walk before breakfast and a walk after dinner. I like to walk when I don’t feel well, because I honestly believe it will make me feel better. I like to walk when I have something I need to think about, or to work out in my mind. I like to walk when I’m trying to write a story. I like to walk when I’m trying to clear my mind. I’m glad to have a dog so I don’t look like the crazy person walking around town for no reason. I’m glad to have a son who always wants to go for a walk with me, no matter the time of day or season of the year. I’m glad to live in a town that is so extremely pleasant for walking through. I’ve been semi-obsessed lately with Bob Dylan’s Time out of Mind. It’s so sweet and sad and haunting and strangely hopeful. To me, the whole album has a walking pace. Not a speed-walking or power-walking pace, but a slow, thoughtful, steady pace, the pace of a person walking from town to town and then further on. The very first song on the album Love Sick, opens with the lines

    I’m walking through streets that are dead
    Walking, walking with you in my head
    My feet are so tired, my brain is so wired
    And the clouds are weeping

And the whole album carries on at this pace, moving from song to song with a quiet, steady beauty. So today’s Sunday Interactive Playlist, is on the subject of walking. Songs about walking, songs that sound like walking, songs you like to walk along to. As ever, the playlist is collaborative, so feel free to add what you like, or leave a comment and I’ll try to remember to add it for you. I’ve been bad about this lately, but the boys go back to school tomorrow and I’ll have hours and hours to drag songs into playlists. And now, we’re going for a walk!

We got these tiny potatoes from the farm. I scrubbed them, coated them with a little beaten egg, coated them in herbaceous cornmeal, and then roasted them in olive oil. They turned out nice and crispy on the outside and soft and tender in the middle. Perfect! And very very easy. I used sage and black pepper, but you could use any kind of herbs you like.

Here’s a link to the walking playlist.
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Gianduja cake

gianduja-cakeThere’s a pleasant sort of anxiety about the last week of summer vacation. We made plans to do every single fun thing we’ve talked about doing all summer long! All in one week! At the moment, of course, the boys are watching dumb cartoons, and I’m sitting in front of the computer writing about cake. (Did you ever see the Simpsons when Homer thinks he’s going to die, and he promises that if he’s allowed to live he’ll never ever waste another moment of his life? He lives, and the credits play out to the sounds of Homer watching bowling on the TV. It’s like that.) But we did go for a walk in the woods. The far far away woods. It was a big adventure. The weather was crisp and perfect, and the boys turned the walk into a search for efts and salamanders. There was a scoring system! Points were awarded! Four points for a red eft, and I can’t really remember the others. Well! The woods were teeming with efts! Generally we’re lucky to see one or two, and we saw hundreds of the tiny, unbelievably beautiful chinese-red, green-spotted, soft-skinned, dog-like, sweet-fingered little creatures. I went ahead at Clio’s pace, and stood to wait for the salamander searchers. The light was dappled and shifting. If you tried to take a picture of a boy glowing in a pool of sunshine, you couldn’t, because he’d walk into the shade and then the sun and then the shade again. The light ran over the moss and rocks and leaves like water, swirling with the shadows of branches far overhead, branches moved by a wind that felt like autumn. The earth was soft with dead leaves, which had been packed down year after year after year, and left the ground under our feet feeling hollow and sweetly, whisperingly resonant. I looked back at my three boys, bent over a stone or log that they’d moved, just for a moment. They ran their fingers through soft decaying wood and soil, wet and rich and fragrant. They bowed their heads together over outstretched hands, and David held their palms towards him as if he could read their future. They replaced the rocks and logs to their place of quiet, slow decay, and they ran to catch me up, nearly knocking me over with the force of their hugs. And so goes another summer, and I wonder what it feels like for the efts when they know that winter is coming. Do they remember their watery birth? Do they have dreams of their return to the water when the time is right?

Malcolm dressed as a red eft

Malcolm dressed as a red eft


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I made this cake for a back-to-school luncheon for the teachers. And, of course, I made one for us, too, just to be sure it was edible. It’s a French-style cake, quite simple, but very tasty with hazelnuts and chocolate. I made it almost all in a food processor, except for the egg white-beating, which I did by hand. It’s a simple cake…but flavorful and pleasing. Like soft, intensely flavored brownies, maybe. Very easy to make, and very tasty with coffee in the morning, tea in the afternoon or wine after dinner, like all good-hearted cakes.

Here’s Flatt and Scruggs with Wildwood Flower.

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Chard puree baked with olives and smoked gouda

Baked chard, olives and smoke gouda

Baked chard, olives and smoke gouda

One stormy day last week, we had what the parenting books call “a really shitty afternoon.” It all began when, with great cruelty and injustice, we asked the boys to clean their room. David had been helping them, he’d been working on it for days, and every time the boys went into the room it looked a little worse, any progress was undone, unravelled. My boys are generally pretty easy-going and helpful, but when it comes to cleaning their room they develop an unyielding steely stubbornness, and nothing will persuade them to help. They act extra-sassy, because the more we yell and carry on, the less they have to clean. I beg, I plead, I threaten, and eventually I become as angry and irrational as a gradeschooler who has been unfairly asked to clean my room. I wish I could find the wisdom and patience to deal with the problem differently. I wish we could address the room-cleaning situation without feeling that we all need to be taken away in straight-jackets at the end of the day. The worst part of it is that when your children are bratty and incorrigible, who can you blame? Yourself! That’s it! They’re your kids! You bought them too many toys! You believed them when they begged for one more and promised they’d take care of it! You set a bad example with your own lackluster cleaning skills! I don’t really remember how it all played out, it was nearly a week ago, after all. Doubtless the pressure in the clouds built up, the sky grew darker and darker and more brooding, until everything burst in a great flashing of lights and booming of thunder, and then the skies cleared and brightened and became peaceful and clear once again. That’s probably what happened, as it has happened before and will happen again. But this time there was a sequel to the story. The next day, Malcolm had to get two inoculations for school. Malcolm seems frighteningly fearless at times, but the one thing that always makes him anxious is a trip to the doctor. He doesn’t like the way it smells, he doesn’t like to know ahead of time that he has an appointment, he doesn’t like to go to the doctor even when it’s Isaac’s turn to be examined. He just doesn’t like it. Well, he was very brave, but he had butterflies in his stomach all morning. He was too nervous to eat. He wanted me to sit by him on the couch, but he couldn’t sit still. At the doctors’ the well-meaning nurse showed him the needles and said, “That’s not too large is it?” (any needle that’s going into your arm is too large!). Then the doctor and the nurse had to consult over a mistake in the vaccines (who’s anxious now? who is?), and we could hear them laughing and chatting down the hall. And that’s when I looked down at Malcolm and saw that he was pale, his lips were turning blue, he was sweating buckets, his hands and feet were crumpled and frozen. He kept saying, “My feet, my feet…” He tried to stand but he was shaky, and I called the doctor. She’s tiny, and she arrived in the room just in time to catch my giant son in her arms. She lay him on a table, she said, “Think about something else, think about baseball.” Malcolm said…”I’m just going to think about my mom,” and he grabbed my arm with all of his considerable strength. And, of course, that’s the moment when I nearly cried with love and worry, but knew I couldn’t let myself, and I sat up on the table by him and he leaned against me and turned his head to my shoulder when he got the shots, and then ran home in stocking feet. And everything was fine, everybody is fine. But I thought about it for the rest of the day, about how one day had been so difficult and cantankerous, and the next equally difficult but more harmonious…we were in it together. I thought about how strong, sassy Malcolm is still a child, still scared and needy sometimes, and how I’m always his mom, even when I’m tired and he’s contrary, and it’s always my job to be kind to him. And I’ll try to remember that painful but strangely wonderful moment at the doctor’s before I lose my temper again. I’ll try.

This is sort of like a lazy person’s souffle. It’s light and tender and flavorful, but super-easy to put together. You sauté some greens (I used chard and spinach) with garlic, rosemary and olive oil till they’re bright and tender, and then you process them with eggs, milk, smoked gouda and olives. Bake them till puffed and golden, and that’s it! Pretty and tasty. We had this the night we had the eggplant croquettes, and I found that the maple-dijon sauce was nice drizzled on this, too, so I’d recommend trying it that way.

Here’s Sure Shot by the Beastie Boys…the only kind of shot that Malcolm likes.
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Leeks, white beans and French feta AND smoked eggplant-couscous croquettes

Leeks, white beans, & French feta

Leeks, white beans, & French feta

Back in the days before cable, when VCRs hadn’t yet been invented, there were a few movies my brother and I would watch every single time they came on television. (Which was maybe twice.) One such movie was Breaking Away. I hadn’t thought about it much in the intervening decades, but the other night we watched it again with the boys. Well! It’s a beautiful film! It’s beautifully filmed! It’s deceptively spare and simple in a manner that hides a genius of elegance and grace, which places it in the tradition of Ozu or Rohmer. The only non-diegetic music is a continuation of the Italian songs that Dave sings in his attempt to convince the world that he’s Italian. Much of the action seems to happen off-screen, between scenes, in best Ozu fashion. An entire romance and marriage takes place, and we feel real affection for the couple, though we only see them in a few scenes, in passing. The film is about one summer in the life of four teenagers, and it’s full of the kind of latent drama underlying every teenagers’ existence. At any minute they might dash their heads on a rock or crash their car or bike, or be crushed by a truck, they might fall out with friends they love, they might tear their family apart. Any of this could happen, and if this was any other kind of movie it probably would, but here it doesn’t, and this makes it feel more real, more like life. The film glows with a flat, pale, nostalgic light, like a dream of the late seventies, of the mid-west, which people have been trying to capture since in photo filters and iPhone apps. The film is sweet, smart, funny, thoughtful; it’s about infatuation and disillusion and the return of hope. It’s about friendship and family, imperfect and enduring. It’s about freedom and escape, and finding a way to achieve these things without leaving your home. And it’s about work, which makes it a good film to discuss after labor day weekend. The fathers of our four teenage friends were cutters, they cut limestone out of the quarries, and cut them into smooth rocks to build the local university. And now all they have left is a big hole in the ground where their boys swim, and a college full of teenagers who mock their boys. At one point Dave’s dad says he wants his son to find a job and be miserable just like he was. But we know he doesn’t really want his son to be unhappy, and we know that he enjoyed his work as a cutter: he was good at it, he took pride in his work. The boys have to decide what work they’ll do when the work that made their world isn’t an option any more. They have to make their own new world. Doesn’t it remind you of Seamus Heaney’s Digging?

    Digging
    BY SEAMUS HEANEY

    Between my finger and my thumb
    The squat pen rests; snug as a gun.

    Under my window, a clean rasping sound
    When the spade sinks into gravelly ground:
    My father, digging. I look down

    Till his straining rump among the flowerbeds
    Bends low, comes up twenty years away
    Stooping in rhythm through potato drills
    Where he was digging.

    The coarse boot nestled on the lug, the shaft
    Against the inside knee was levered firmly.
    He rooted out tall tops, buried the bright edge deep
    To scatter new potatoes that we picked,
    Loving their cool hardness in our hands.

    By God, the old man could handle a spade.
    Just like his old man.

    My grandfather cut more turf in a day
    Than any other man on Toner’s bog.
    Once I carried him milk in a bottle
    Corked sloppily with paper. He straightened up
    To drink it, then fell to right away
    Nicking and slicing neatly, heaving sods
    Over his shoulder, going down and down
    For the good turf. Digging.

    The cold smell of potato mould, the squelch and slap
    Of soggy peat, the curt cuts of an edge
    Through living roots awaken in my head.
    But I’ve no spade to follow men like them.

    Between my finger and my thumb
    The squat pen rests.
    I’ll dig with it.

Eggplant couscous croquettes

Eggplant couscous croquettes

Leeks! I just love them. I treated myself to some French feta, which is milder and creamier than most fetas I’ve had. I sauteed my leeks with white beans, white wine, thyme and capers, and then I crumbled the feta on top. Delicious!! We ate it with plain couscous. And later in the week I combined the leftover couscous and white beans with eggplant roasted until smooth and smoky and pureed with smoked gouda and bread crumbs. I fried this in olive oil as little croquettes, and served them with an impromptu dipping sauce of maple syrup, dijon mustard and tomato paste.

Here’s Kimya Dawson with I Like My Bike.

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Broccoli rabe with corn, tomatoes, basil, and mozzarella

Broccoli rabe with corn, tomatoes, basil and mozzarella

Broccoli rabe with corn, tomatoes, basil and mozzarella

Here’s my wish for labor day! I hope that everybody finds the work they need to do. I hope that everybody finds work that fulfills them creatively and keeps them lively and alive, and is financially rewarding enough that they have food to eat and a roof over their heads, that everybody is comfortable. I hope that everybody finds work that feels important, for themselves and the people and the world around them. I hope that everybody finds work that keeps them guessing from day-to-day, or that becomes pleasant as a routine–that they take some joy in rolling that boulder up the hill, in doing a good job. I hope we can all come together to help with the jobs that nobody wants to do, but which have to get done, that we can share them equally, and even find the value in them. I wish that the daily work of getting up and getting along and carrying on is light and bright and gratifying. And now I have to get to work, so I’ll quote Camus again, “Each atom of that stone, each mineral flake of that night-filled mountain, in itself, forms a world. The struggle itself toward the heights is enough to fill a man’s heart. One must imagine Sisyphus happy.” And I’ll post a link to today’s Sunday interactive playlist. It is, of course, about work! I posted a list last year, but it wasn’t interactive, so this year I invite all of my friends to add to it, or leave a comment with the song of your choice, and I’ll try to remember to add it myself.

Broccoli rabe, corn, basil, tomatoes and mozzarella

Broccoli rabe, corn, basil, tomatoes and mozzarella

I love broccoli rabe, but I always felt selfish making it, because I didn’t think anybody else in my family did. Imagine my surprise to find that they like it prepared this way!! We had some leftover corn on the cob, so I sliced off the kernels and combined them in a kind of quick fresh flavorful tomato-olive oil sauce. I combined this and the warm tender broccoli rabe with fresh broccoli and small pieces of mozzarella, which melted under the heat of the greens and tomatoes.

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Pistachio chocolate chip cake

Pistachio cardamom chocolate chip cake

Pistachio cardamom chocolate chip cake

Sad news about Seamus Heaney! It’s strange because I’ve been thinking about him lately. As you may have notice I’ve been semi-obsessed with mythological characters–reading about them, writing about them, reinterpreting the lives of ordinary people as if they were mythological characters, following some pattern of characteristics of all mythological characters in all cultures. Back in March I declared Heaney a poet laureate of The Ordinary, and I said this about him…

    His poems seemed washed in the affectionate, melancholic light of memory, so that everything he touches quietly glows. We all cast mythical shadows in his poems, we’re all the gods and goddesses of our own creation. However humble our labors may seem, they become honorable in his words.

Probably not a very scholarly or accurate thing to say about his poetry, but that’s how it feels to me, and that’s how it fits my mood lately.

When asked to choose two poems that summed up his life’s work, he chose two with mythical overtones. In The Underground, he imagines a scene from his honeymoon in light of the myth of Orpheus and Eurydice.

    THE UNDERGROUND

    There we were in the vaulted tunnel running,
    You in your going-away coat speeding ahead
    And me, me then like a fleet god gaining
    Upon you before you turned to a reed

    Or some new white flower japped with crimson
    As the coat flapped wild and button after button
    Sprang off and fell in a trail
    Between the Underground and the Albert Hall.

    Honeymooning, moonlighting, late for the Proms,
    Our echoes die in that corridor and now
    I come as Hansel came on the moonlit stones
    Retracing the path back, lifting the buttons

    To end up in a draughty lamplit station
    After the trains have gone, the wet track
    Bared and tensed as I am, all attention
    For your step following and damned if I look back.

Damned if I look back!!

This is a mild, plainish cake, with subtle flavors. A tea-cake, if you will. Good with your coffee in the morning, your tea in the afternoon, and your wine after dinner. It’s very easy to make, I did it all in the food processor in a matter of minutes. It has pistachios ground right into the batter. It’s flavored with vanilla and cardamom, and of course it has chocolate chips, because all good cakes have chocolate chips!! I made it in the French style, with whipped eggs and no extra leavening.

Here’s Seamus Heaney reading The Underground, for your song today.

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Leek and caper tart

Leek and caper tart

Leek and caper tart

Au Hazard Balthazar, an austere, scathingly honest film, feels beautifully simple and full of meaning at the same time. Much has been written about the possible meanings of the film, and in particular about its function as a religious parable. In this light, it does seem packed with symbolism: Balthazar has seven owners who could represent the seven deadly sins, the seven stations of the cross; he endures great suffering and is called a saint; the film is bathed in images of wine and bread, and in beautiful shots of hands. And yet aside from all of this, beneath all of this, Au Hazard Balthazar is the life story of a donkey. The film begins with a ringing of bells, and Balthazar as a foal, suckling from his mother on a beautiful hillside on a beautiful day. He’s given to some children as a pet, and they seem to love him. The next shot shows him many years later, as an adult, surrounded by a group of men who beat him brutally. And so the film goes, Balthazar passes from owner to owner, some are crueler and more abusive than others, but none of them are kind, none care about the donkey. The film is, in many ways, a study of human cruelty and indifference on every level. It’s a very depressing and pessimistic view of mankind. And yet there’s something transcendent and very nearly hopeful about the film–about the fact that somebody made an empathetic film about a donkey, about the chance to look at our world from a different perspective, and about the great beauty of the film itself. Ultimately, the bread and the wine don’t feel like religious imagery, to me, they feel very human, and they remind us that religion addresses our very human needs and frailties. And the beautiful disembodied shots of hands, which could be from paintings of saints, are living human hands, reaching to one another with kindness or cruelty or grace. At the end of the film, the wounded donkey is surrounded by sheep, they stream around him like a river, showing him the first real compassion and kindness that he’s experienced in the film. You feel such love for the donkey and for the sheep, who have found something that all the humans in the film have missed, when they clutter their lives with boredom and casual cruelty and self-imposed misery. I think as humans we tend to make everything hold meaning for us as humans, but what the sheep and the donkey know feels deeper than allegories and metaphors and stories humans need to tell ourselves, it feels fundamental and honest and beautiful, and the movie ends the way it began, with the ringing of warm bells.

I think my favorite thing we’ve gotten from the farm this summer is leeks. They’re supposed to be a peasant food, they’re supposed to be something that the characters in Au Hazard Balthazar might eat when they’re down on their luck. But they’re quite expensive around here! So it has been a treat to get thin, beautiful, sweet bundles of leeks from the farm. I decided to make a big flat tart with some of them…almost like a pizza with a pastry crust. I sauteed the leeks with thyme, capers and white wine, and then made a custard of eggs, milk, and two kinds of cheese. I suppose gruyere would be the ideal cheese to use here, but it’s beyond our budget at the moment, so I used a combination of sharp cheddar and mozzarella.

Here’s Ride Your Donkey by the Tennors.

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Semolina crusted roasted eggplant, potatoes and butterbeans

Semolina crusted eggplant, potatoes and butterbeans

Semolina crusted eggplant, potatoes and butterbeans

It’s been a strange day. It’s been a strange week. I started this hours ago, and I was going to talk very wisely about Au Hazard Balthazar, but nobody slept last night, it’s rained hard all day, and the power went out. So here we are, hours later, and everything feels very serious, very heavy. The anniversary of the March on Washington–fifty years–sets you thinking about how much has changed and how much has not, both in the country and in the lives of all the people that lived through it all, and are still living through it every day. I’m scared of another war and sick of awards shows of any kind. It’s hard to know where to turn your mind. Well! The other day I accidentally discovered this video of The Washboard Serenaders, and I just love it. They seem so happy and alive and glad to be together making music. They combine humbling amounts of speed and technical prowess with real grace and space, or so it seems to me. Kazoo!

I tried to find more information on them, and apparently they were a loose collection of musicians that collaborated and travelled under various names, and went on to work with other groups in other styles. I love the idea of artistic collaboration, be it musical, or visual, or filmic. Especially when they’re bursting with love for what they’re doing and who they’re doing it with, as they seem to be here.

Here’s another video of The Washboard Rhythm Kings, with some astounding washboardery.

Semolina coated eggplant, potatoes and butterbeans

Semolina coated eggplant, potatoes and butterbeans

More crispy eggplant! Which is really the only way I like it. I combined slices of eggplant with slices of potato and big buttery butter beans, marinated them with fresh herbs, coated them all with egg and semolina flour, and roasted them in olive oil till they were crispy. They need a sauce, too, I think. We ate them with a spicy sauce made from fresh tomatoes and baby spinach, but any simple tomato sauce will do.

Here’s a whole album of The Washboard Rhythm Kings.

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