Lately, at our Dickensian flea market, there’s been a man with a table full of books about ancient Egypt. He’s got books on history, on art, on myth, on language. It’s a full collection, somebody’s entire library. I wonder how it all ended up here. I imagine a Tintin character, a scholar with a long white beard and round glasses, an Egyptologist, who gives it all up, sells all his books, and goes on an adventurous journey down the Nile. I bought a beautiful book called The Literature of Ancient Egypt. I will freely admit to you that I didn’t even know such a thing existed. Of course I knew about the myths and the gods, but I didn’t know there were stories and poems, that we could still read lengthy narratives from all those years ago. And how strange and beautiful they are! They alternate between the completely human and recognizable and the fantastically bizarre. There’s a ghost story that isn’t spooky at all because “death for a deceased Egyptian who had undergone the rites ofbeatification was an extension of life…and rapport between the living and the dead was by no means always a gloomy affair.” There’s The Shipwrecked Sailor, which is a story within a story within a story, one of them told by a golden snake.
And the love poems are crazy, intimate and yearning. In a context I only remotely understand, maybe there’s a sense that the people who describe themselves as belonging to another actually belong to the other as property, but if you’ve ever been in love you know how it feels to belong with someone, and in this context, these speak to me. Listen to this love poem:
The voice of the turtledove speaks out. It says:
day breaks, which way are you going?
Lay off, little bird,
must you so scold me?
I found my lover on his bed and my heart was sweet to excess.
I shall never be far away from you
while my hand is in your hand,
and I shall stroll with you in every favorite place.
He set me first of the girls
and he does not break my heart.
and this one…
A dense growth is in it,
in the midst of which we become ennobled
I am your best girl:
I belong to you like an acre of land
which I have planted
with flowers and every sweet-smelling grass.
Pleasant is the channel through it
which your hand dug outdoor refreshing ourselves with the breeze,
a happy place for walking
with your hand in my hand.
My body is excited, my heart joyful,
at our traveling together.
Many of the passages dole out advice, mostly to sons, some from fathers who are already dead. My favorite is The Maxims of Ptahhotpe. He’s not yet dead, but he’s aging, which he describes in a Sappho-worthy passage.
- The Eyes are dim, the ears are deaf, strength is perishing because of my lassitude, the mouth is silent and cannot speak, the mind has come to an end and cannot remember yesterday, the bones suffer all over, good is become evil, all taste has gone…
His advice is sometimes strange and sexist (how to deal with the women you own), but sometimes beautifully generous and still very pertinent today. He says not to judge anyone by their position, and not to be arrogant because of your knowledge, but to confer with the ignorant man as with the learned, for “Good speech is more hidden than malachite, yet it is found in the possession of women slaves at the millstones.” Anybody is worth speaking to, if you give them the chance to speak! He says that you shouldn’t pay any attention to a man who is speaking ill of others, you should be silent because he ” will be dubbed an ignoramus when your self-control has matched his prolixity.” And he says “Do not inspire terror in men…for no terror of man has ever been effective…plan to live in peace, and what men give will come of its own accord.” And most mysterious and most lovely, “Follow your desire as long as you live and do not perform more than is ordered, do not lessen the time of following desire, for the wasting of time is an abomination to the spirit; do not use up the daytime more than is necessary for the maintenance of your household.”
It’s so strange to read words from an almost incomprehensible time ago, when it’s hard to imagine how people lived, and find truth in them that still resonates today. I’m not always the biggest fan of human beings in general, but sometimes in the bright round mystery of our history, we’re remarkable and beautiful and persistently true.
We have so many herbs growing in our garden! I love this time of year. I love the bright taste of all of the herbs mingled together with something milder like eggs or cheese or potatoes. This turned out really good, I think. I used chervil and tarragon, which are both lovely and lemony and anise-y, plus basil and thyme, and sage and rosemary, and a little oregano. You can use whatever you have. I think the idea is to use strong flavors you might not usually combine, but which work well together because they’re all growing together at the same time. Very simple tart, in many ways, so it compliments the complexity of the herbs. You could play around endlessly with this!
Here’s a song by Oum Kalthoum. Another thing I don’t understand completely, but find beautiful.
1 t yeast
1 t sugar
1/2 cup warm water
1/4 cup olive oil
1 1/2 cups flour
1 t salt
freshly ground black pepper
In a large bowl, combine the yeast, sugar, and warm water. Leave for ten or fifteen minutes until it’s frothy. Add the olive oil, and then the flour, salt and pepper. Mix well, add more water or flour if necessary to make a kneadable dough. Knead for about five minutes. Place in a lightly oiled bowl and cover with a damp cloth. Leave in a warm place for a few hours.
1/2 cup milk
1/2 cup pine nuts, plus a handful for the top
1 cup grated cheese. I used a combination of mozzarella and sharp cheddar, but use what you like!
1 t lemon juice
salt and black pepper
a mix of herbs, about 1 cup loosely packed, cleaned and trimmed. I used chervil, tarragon, sage, rosemary, lemon thyme, oregano and basil, but you can use whatever is growing in your garden.
In a food processor or blender combine the eggs, milk, nuts and cheese and blend until well-combined and fairly smooth. Add the herbs and lemon juice, the salt and pepper, and process briefly, just to combine and chop the herbs a little. You don’t want to completely purée them.
Preheat the oven to 425. Lightly oil a cake or tart pan. Press the dough into the pan to form a thin crust, and press it up the sides. It doesn’t need to be perfect. Bake for about five minutes, just till it loses its shine. Pour the batter into the shell, and sprinkle the top with a small handful of pine nuts. Bake for about twenty minutes, until puffed and golden.
Let sit for a minute or two, then slice and serve.