Here’s the Velvet Underground with Sweet Jane, because I’m currently obsessed with it, and because you could be a clerk and still make art.
I hadn’t actually seen an eagle there, but I stopped to look every time we passed. This time I saw a big hulking bird farther down the tower, and I asked Malcolm if it had a white head, because I couldn’t see that far, and it could have been a vulture. It did! It did have a white head! We walked back on the other side of the canal, to get a closer look. Malcolm was talking cheerfully about his schemes for the future, and I was thinking how good it felt to go for a walk with him again, and hear his zany chatter, after a long, shut-in winter. When we got to the tower, the eagle was gone, but we stood for a moment looking up into the bright blue sky. You could feel the earth getting warmer all around us, waking up and coming to life. And then the eagle flew up out of the river, and landed very low on the tower, where we could see it perfectly. It was a stunning moment, it’s not an exaggeration to say that it felt as if my heart soared up with the eagle. We watched it for a while, sitting there so beautiful and impossibly large and completely cool, and then Malcolm yelled, “Good luck,” and we walked home. It felt so sunny, to hear him say that, to think about Malcolm encouraging this huge unruffled raptor. It seems so precarious to try to raise chicks on the top of a tower that holds power lines, in a world full of people, it feels like such a hopeful thing to do. I’ve been feeling vaguely anxious lately about equally vague events that may-or-may not happen. Worried about the future more than usual, troubled by time passing though I know there’s not a damn thing I can do about it. It feels good to take a walk, and see the eagles and the geese sitting on their nests in the sunshine, everybody is doing what they have to do, getting on with their lives, waking with the spring. Isaac recently showed me the sign for “All you need.” You hold your hands together in front of you, and then spread them to your sides. It’s a beautiful gesture, particularly as performed by a serious eight-year-old. It seems like a good gesture to make when you’re feeling anxious, to remind yourself of what you have, and that all you can do is what you have to do, and try feel good about what you’re working on and where you’re going. It’s a gesture like spreading wings in the sunshine.
Isaac likes crostini. I made these last week after he’d been sick for a few days and eaten nothing but toast. These were like a step up from toast, and Isaac ate quite a few. The sauce itself is inspired by romesco sauce, and it’s sweet smoky nuttiness goes well with the sharp saltiness of capers and olives. It made a nice meal with a big salad.
Here’s Bicicleta from the Machucha soundtrack.
This is a good dish for people who are looking for something different to do with summer squash. It’s not just sliced and sautéed, it’s grated first, and then cooked for a while with scallions and fresh herbs, so that it turns soft and saucy, almost like a jam. Then olives and tomatoes and pine nuts are added for a bit of texture and a kick of flavor. This would be nice on the side like a condiment, almost, but I think it’s best on toasts or crackers or spread on crusty bread.
Well, I’ve said it before and I’ll say it again, I love collards! I’ve never treated them quite like this, but I thought it was delicious. Collards have a textural assertiveness that went perfectly with the bright sharp flavors of capers and olives. This was very simple to put together. If you added some beans to the dish (white would be nice!) and served it with rice or pasta, you’d have a quick meal.
It’s funny how recipes can become construed and misconstrued, made up, as they are, of words. The symbols I take as universal are very confusing to some people. And measurements are so changing and mysterious, especially when you’re talking about the size of a vegetable! In recipes such as this one, it’s okay that the measurements are vague. You can adjust the amounts to your taste. We have roasted potatoes, cauliflower and roasted butter beans (yummy!) And we have a sauce to toss them in, and you can roast just as much of each as you like! You can mix everything together, and fry it in a skillet till the sauce is fairly dry and coating each piece, and that’s tasty. Or you can leave the elements separate, and let people take what they like, which is what we did, because not everyone in the family is as enthusiastic about cauliflower. We ate this with simple herbed farro, and some sauteed kale and broccoli rabe tossed with lemon and butter.
Here’s the Tokyo Story Theme, by Saito Kojun
Last night, on David’s Birthday Eve, we had this risotto. It’s a nice meal for a chilly fall day, when you still have piles of tomatoes tumbling off your counter. I realized, yesterday, that I’ve never had a risotto with beans in it. Which seems surprising, because rice and beans are so perfect together. I think of tomatoes, roasted reds, olives and white beans as being something of a classic combination. So I cooked it with arborio rice, and left it nice and warm and brothy.
So when I made this Moroccan-spiced chickpea stew, Isaac refused to try it, because that’s what he does. Then I gave him a chickpea. He ate that, and helped himself to more. I gave him an olive. He ate that, and spooned a few more onto his plate. By the time the rest of us had left the table, I looked out the window and saw that he’d pulled the whole serving plate toward him, and was eating everything together, hungrily. So we’ll take Isaac swimming, and Malcolm will curl up on the couch with a good book.
The stew was really tasty, and it’s a good way to use up all your tomatoes, zucchini, and peppers, if you’re sick and tired of ratatouille. It’s not authentically Moroccan-spiced, of course. It’s just that it’s a pleasing mixture of savory spices and herbs, and “sweet” spices and herbs. And the bread! Well, I’d been reading fascinating accounts of Moroccan flatbread, that generally contain semolina, and are folded into all sorts of beautiful fashions. I decided to play around with these ideas, but in one big loaf. It turned out very nice! With a lovely texture and flavor – crumbly, chewy, and satisfying. If you don’t feel like doing all the crazy folding, you could just shape it into a nice round, and leave it at that.
Here’s Peter Tosh’s beautiful I Am that I Am.