Tag Archives: chard

Greens, olives & pecan tart

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Greens olives and pecan tart

Malcolm and Isaac did some free writing in school. Isaac said that he wrote about Clio, our puppy. He wrote that she was mostly housebroken. It’s sweet that he loves her, and he’s “writing what he knows,” which is the oldest advice in the book. He’s writing about something solid and important to him. We asked Malcolm what he wrote about, and I expected something along the same lines. “Tennis ball world!” Yes, a world made entirely of tennis racket strings. We all have tennis balls on our shoes, and we bounce from place to place. And there’s water under the tennis racket strings, and we all have cups that we can dip in the water… I love both answers so much! For some reason it made me think of Thoreau’s quote, “If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.” For Malcolm and Isaac at this moment, imagination is their work. Letting their minds wander, and inventing new worlds and new ways of living in this world is their job. I love to see the earthbound objects that hold their flights of fancy. Everything they see and hear and find and eat, everything is fed into the fire of their imaginations and comes out wonderfully transformed. My mom and dad gave Malcolm my old tennis rackets. Isaac’s new pictures of dragons have Clio’s claws. It’s all connected. I hope as they get older they manage to find a balance between practical and fantastical. I’ve seen their drawings and heard their stories, I know they’ll both make remarkable castles.

This tart has layers. It has lots of greens. It’s very densely greeny. The crust is tall and thin and crispy, to provide some crunch for all the greeniness. We got bags of small fall lettuces from the CSA. They’re a little bitter, and very delicate. Not to everyone’s taste in a salad. But if you sautee them lightly, and then combine them with eggs and cheese, their sharpness provides just the right kick. If you can’t find little fall lettuces, you can use arugula. The second layer also involves greens. It’s chard, not pureed, but chopped, so it retains some of it’s lovely texture. It’s combined with olives and garlic. And the top layer is a sort of pecan frangipane – another custard, that has the sweet nutty taste of pecans whirled right in.

Here’s one of my all time favorites…Clap Your Hands Say Yeah with Mama Won’t You Keep Them Castles in the air Burning?
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Chickpea stew with tomatoes, chard and castelvetrano olives

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Chickpea, chard, castelvetrano stew

Isaac wants a baby orangutan for a pet, and so do I. Actually he just asked if I’d rather have an elephant, and I think I might rather. He’ll get the orangutan, and I’ll get the elephant. So we’re going to head down to the local animal shelter and see if we can find one of each. He’s home sort-of-sick from school, and watching a show about orphaned orangutans and elephants. They’re raised by humans and then returned to the wild. They’re all so beautiful you could cry! The shot of a herd of baby elephants, red with the dusty earth, running, eager, giant ears held high, following people with soccer balls, threw me for a loop. A loop, I tell you! The film centers on the two women that run the retreats. Rightfully so, I suppose, they’ve given their lives and probably lots of their money to these animals. David and I were thinking it would be interesting to see a movie about the people that work there, and care for the animals every day, as well. Orphaned animals can’t sleep alone. In the wild they cuddle with their mothers, and in this strange environment they have too many bad memories of why they became orphaned animals. There’s a shot of a man trying to sleep, with a baby elephant cavorting all around him. I well remember days of trying to cuddle a toddler to sleep. Can you imagine if the toddler weighed several hundred pounds?! And a scene with a woman cuddling a tiny baby orangutan, singing to him, and rubbing his tummy, as he frowns and struggles to keep his eyes open – well it kills me. I wonder what the lives of these people are like. Do they have children of their own? What strange hours they must work. What a demanding but rewarding job it must be! What kind of dreams do you have when you care for orphaned animals all day and night?

We’re back to stew season, here at The Ordinary! The evenings are drawing in, and it’s time for warm saucy meals. This particular stew extends the bridge between summer and fall. It’s full of fresh tomatoes and basil, chard from the farm, and a sweet roasted red pepper. And it has castelvetrano olives, which I love so much. They’re lovely and bright and juicy, and they’re very pretty with the tomatoes. I had mine with bulgarian feta crumbled on top, but if you leave that (and the bit of butter) out, you have a good vegan meal. Serve it with a salad and a loaf of crispy bread, and you’re golden.

Here’s Elephant Gun by Beirut. It’s a beautiful song, but it’s a sad story of elephant hunting, and it’s why these baby elephants are orphans.

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Tomato steaks au poivre; Semolina dumpling baked in tomatoes; roasted red salad stuffed heirloom

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Giant heirloom

It’s hard not to become defensive when you grow up in New Jersey. From an early age, you’re aware that you’re the butt of jokes – not just the jokes of snarky Manhattanites, but of pretty much everybody, everywhere. You hear stereotypes about New Jersey accents, New Jersey styles of dress, New Jersey music. You know, of course, that those accents and styles of dress actually originate in certain boroughs of Manhattan, and the attribution is false, but you grow tired of explaining that. People drive from New York to Philly and see the ugliest part of New Jersey – the Strip malls and refineries. You think about telling them that where you live, there’s nothing but vast expanses of beautiful countryside, but you don’t want everybody moving here, so you keep quiet. You know that Jersey is overpopulated, but that population is incredibly diverse, which means that we have a rich culture of languages, art, and food. We have mountains and beaches and meadows. We have a sense of humor about ourselves – we have to – it’s a survival instinct. We’re adaptable and tolerant – living so close to your neighbors (as you do in much of the state) you learn to respect them and care for them.

Baked semolina dumpling tomatoes

And we have tomatoes! Jersey tomatoes – pride of the garden state! At the moment I have a bewildering number of tomatoes! But I’ve had a lot of fun thinking of ways to prepare them. We had some big, beautiful heirloom tomatoes. I scooped out some of the flesh and replaced it with semolina dumpling batter. I baked the tomatoes, and made the flesh into a sauce with chard and basil.

Tomato chard sauce

The semolina has a lovely, soft texture that absorbs the tomato-y juices. Then I thought about giant slices of tomatoes that feel like steaks, and I decided to coat them in pepper, fry them in a little butter, and then use the juices to make a sauce, with shallots, garlic, and wine. It made a nice side dish, and I think it would be nice over angel hair pasta. Finally, we had an heirloom tomato the size of a small pumpkin. I decided to open it in thick slices, and stuff a flavorful salad into the spaces – roasted red peppers, fresh mozzarella, capers, olives, and fresh basil. Fresh and delicious!

Tomato steaks au poivre

Here’s Tom Waits with Jersey Girl
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Chickpea flour chard frittata-cake (with olive sofrito)

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Chard & chickpea flour cake

I’m not very good at sitting still. I’ve tried doing yoga or meditating once or twice, but as soon as I try to clear my head, it fills with silly thoughts and petty anxieties. When I try to sit and write, I find myself jumping up every few minutes to do something that doesn’t actually need to be done. Yesterday, I attempted to master the art of being still. I’ve written the underdog’s theme song, and absolved lack of competitive instinct and lack of ambition everywhere. At the moment I’d like to champion a brief spell of staring into space. It’s been a spate of immaculate weather. We were trying to think of the perfect thing to do after dinner – homework all done, but still a school night. We weren’t organized enough for a walk of any kind. Maybe we’d sit around a fire in the backyard. But I found myself sitting in a chair by the front door. The sky was bright as day, but the room was filling with darkening blue light at an autumn pace – always surprising and even slightly worrying. The boys were playing kickball in the backyard. They were giggling maniacally – beautiful, but I’m sure they were hitting the window and the recycling bins on purpose. David was in the kitchen sneezing, and covering Malcolm’s text book with a brown paper bag, the way humans have covered textbooks for all eternity. The boys ran in and out of their showers, cool, pale and giggling. They disappeared into the backyard, as the sky finally deepened outside the window, and in the room it became too dark to write. The smell of smoke and the sound of loved voices pulled me into the backyard, where the sky was still palely glowing.

Chard and chickpea flour frittata

And before all of this activity? I made the best meal! I’m really proud of it! I think I may have invented it! I’m not even sure what to call it! It’s like a frittata, but it has chickpea flour in it, which gives it a lovely substantiality and flavor. It’s also got sauteed chard, mozzarella, some garlic, some rosemary, and some basil. We cut it into thick wedges, and ate it with sofrito (spanish style). I’d made a big batch with all of the paste tomatoes I picked last week. I froze some of it for winter, and I set some aside, and added olives and a roasted red pepper (also from the farm!) You could make a simple tomato sauce instead, though. (Both recipes below) And we had a nice, simple heirloom tomato salad as well.

Olive & red pepper sofrito

The cool, blue sounds of Jackie Mittoo’s Evening Time.
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Potatoes, artichoke hearts and chard

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Potatoes, artichokes and chard

I feel like I have a mild case of the doldrums. Some combination of time flying too fast and my creative energy running way too slow has me feeling a little meh and blah. There’s so much I want to do and make, but I feel like I’m cabined, cribbed, confined by saucy doubts and fears. And they’re not even important or reasonable doubts and fears, for heaven’s sake! But there’s probably nothing duller than hearing somebody talk about their doldrums, so I’ll talk instead about something bright and inspiring, that can shake a person out of such a state. Bill Traylor, of course! I think his drawings are remarkable – so pure and vital and strange and perfect. I read once that he uses a “high singing blue” in his drawings, and I’m completely enamored of this idea. A high singing blue! I was looking around for some of his drawings, and I’m very excited to find that somebody is making a film about him! Here’s a preview, which also has plenty of examples of his drawings…

Of course I don’t understand the whole story of Bill Traylor’s life, but he had more than his share of cares and worries, and what did he do? He drew! It feels as though he didn’t over-think and fret about finding the right tools, and make a fuss about his grand projects: he sat and drew what he saw, and what was in his mind, and what he drew was beautiful and fervent.

Your song for today is this one about Bill Traylor by French double-bass-and-string-oud-band Off Duo (omg, another double bass and string oud band?). I just love it!

Meanwhile, I’ve got to get myself back some balance, some perspective. I love day-to-day life. I love the small things we do every day with the boys. I love watching them play, and draw, and build things. I like the creativity we call upon every day, and – for me – a big part of that is cooking. We eat to live, and we cook crazy things to keep our minds alive! And as dumb as it sounds, I find potatoes inspiring! They’re like a blank canvas, or a blank piece of re-used cardboard. We got some from our CSA, and a bag of dirty potatoes is a source of endless possibilities!! In this dish I wanted to combine the sweet crispiness of fried potatoes with the earthy softness of sautéed chard. The strongest flavoring here is rosemary, which is perfect with potatoes, and seems so summery and mysterious.

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Millet and summer stew with black beans and hominy

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Summer stew and millet

First we see a beautiful black and white shot of majestic mountains. Into the frame come the head and shoulders of a samurai, his back to us. He stands and looks up at the mountains for a few moments. And then he hunches his shoulders and scratches his head. He’s got fleas! We follow the back of his shaggy head as he walks, and without even seeing his face, we learn so much about him, from his posture and his gait. It’s Toshiro Mifune, baby! Surely one of the most charismatic actors of all time! As he walks, he comes across a farmer berating his son. The son wants to go off and join a gang of gamblers because, as he says, it’s better than a long life eating gruel. The film, of course, is Yojimbo, by Akira Kurosawa. It’s an action-packed film, with plenty of sword fights and intrigue, but, as with many of Kurosawa’s films, the real struggle concerns extreme poverty and deprivation. In this film, as in Seven Samurai, the inhabitants of a small rural town literally have nothing to eat but rice or millet, and they’re in danger of losing that. The samurai that fight for their lives and often to their deaths, are fighting for grain, fighting so that the son of a farmer can have a long life eating gruel. As with all of my favorite films, it’s the humanity and humor mixed with the drama that resonates. We love the samurai as much because he’s rootless, confused, and has fleas as we do because he’s charming and a brilliant swordsman. As I’ve mentioned many times, I’m a peaceful person of low ambition, and I think I could enjoy a long life eating gruel, if the gruel was as tasty as I could possibly make it!

It was partially because of Kurosawa that I went out and bought some millet. I’ve made it in the past, but not very well. I wanted to try again. I used a basic technique, described by Madhur Jaffrey, of toasting and then steaming the grains. But I cooked them in broth instead of water. It turned out delicious!! Everyone in the family liked it! Soft, but fluffy and flavorful. I’m a millet fan! I also made a sort of summery stew of lots of vegetables mixed with black beans and golden hominy. (You could easily substitute white hominy!) You could call it CSA stew, because I used up a lot of the veg we got this week. I seasoned it with smoked paprika, sage, and chipotle, and we ate it with toasted strips of tortilla. Everybody liked everything!!

One of the absolute best things about Yojimbo is the soundtrack. It reminds me of RZA’s soundtrack for Ghost Dog. (High praise indeed!!) Here’s Big Trouble, from the sound track.
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Beet & goat cheese roulade filled with greens and pinenuts

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Beet roulade

I’m feeling a little dull and blue today, for no reason whatsoever! It’s a funny thing about feeling blue, because it’s not really a bad feeling, as I use the term. It’s a contemplative, slightly melancholy feeling. But there are so many shades and moods of blue, and I love them all. Tintin blue is one of my absolute favorite colors – bight and clear. Bill Traylor’s high singing blue is exhilarating. Midnight blue is deep and mysterious. Indigo is dark and rich. Sky blue is light and floating. Flame blue is like a flickering soul or spirit. Vein blue is alive and poignant. Musically, the blues put you in a mood, but it’s not a depressed mood. A little sad, maybe, but joyful, too, just because they exist. To shake the dullness, I thought I’d post a few dancey scenes. Dancing always livens the party! There are so many good ones, and here are few of my favorites.

There are so many! I could go on and on and never stop! What are some of your favorite dance clips?

You know what else will cheer you up? A bright pink and green pinwheel! This roulade was very fun and easy to make, and tasted delicious! The roulade itself was like a big fat pancake (it’s actually closer to a flatter soufflé!). It was sweetish, because of the beetish, and a little tangy with goat cheese, and lovely and summery with thyme. The filling used the greens from the beets, in combination with some chard (you could use any green you like!) and was a nice savory contrast to the roulade. Pine nuts add a bit of smoky crunch. The nice thing about the roulade is that it’s very good at room temperature, so if you don’t want to heat your kitchen up before you eat (on a 100 degree day, say) – make this earlier in the day and set it aside till you’re ready! We had it with a no-cook sauce of tomatoes and avocados, chopped chunky-style, and tossed with olive oil, basil, and balsamic. Add a salad of crisp arugula and crunchy hazelnuts, lightly dressed with olive oil, sherry vinegar and some crumbled goat cheese, and you have a perfect summer meal!!

Here’s Jackie Mittoo and the Soul Vendors with Love is Blue.

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Greens, potatoes, & tomatoes AND patatas bravas with almond aioli

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Patatas bravas

My friend Laura recently posted a picture of her son jumping into a swimming pool. He looks wonderfully happy, as boys do jumping into swimming pools. You can see his shadow on the water. He’s in the air! I love photographs like that – especially old, pre-digital photographs. How thrilling it would be to get your photos back from the lab, or develop them yourself, and find this impossible shot in which you’d captured someone that you love floating in the air. Your dog, leaping happily. Your child, jumping from one thing to another, so proud of their ability. Children love to be off the ground, between one thing and another, dizzyingly suspended between worlds – jumping on a bed, jumping into water, jumping from a tree branch. It feels like capturing an ecstatic moment. In Charles Burnett’s remarkable movie Killer of Sheep, there’s one beautiful scene that shows children jumping from rooftop to rooftop over head. The whole sequence is one of the most striking I’ve seen on film. And Mos Def used a still from the movie for the cover of The Ecstatic! It’s such a perfect picture for a perfect title for a perfect album that I can’t really add anything! People and animals in mid-air! Photos that capture youth, and happiness, and motion – they catch time while it’s passing.

There’s something very summery about the photos, maybe because, like summer, they seem to last forever and they’re over in an instant. If a recipe can capture a moment of summer, and I like to think that it can, surely it would have tiny potatoes and tomatoes and basil! And here we have two very easy, very summery side dishes. One is straight out of the CSA box – beet greens, chard, green garlic, tomatoes, and tiny potatoes. Is there anything more pleasing than small potatoes, boiled whole, and tossed with butter and herbs, and seasoned with salt and plenty of pepper? We used tarragon, because it’s nice with potatoes and we have it growing in our garden. But you could use any mix of herbs you like. This is a good way to use up the beet greens when you make beet dogs. I used a mix of beet greens and chard (very pretty, both!) and made a quick summery sauce of fresh tomatoes, basil, and garlic. While it’s hot you toss it with boiled potatoes, little cubes of mozzarella and pine nuts. The heat from the greens melts the cheese, and it’s all very nice. The other dish is my version of the Spanish tapas dish patatas bravas, which is crispy potatoes over a spicy tomato sauce, topped with garlicky aioli. Ever since I made almond aioli, I’ve wanted to try it with this, and it turned out really good! I made a slow-cooked tomato sofrito as the base, and you can use fresh or canned tomatoes for this.

Here’s Faye Adams Shake a Hand, from Killer of Sheep.
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Chard and french lentil empanadas

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Chard & french lentil empanada

“People talk of natural sympathies,” said Mr. Rochester. And we all know that he was just trying to seduce Jane Eyre, but he wasn’t wrong – people do talk of natural sympathies. Not just between people, but between colors, and musical notes as well. Certain things just look or sound pleasing when they’re combined. The boys have a book on the history of perspective in art, and I find it so fascinating! Artists through the ages have tried so hard to understand the world through mathematical rules – they understood it in order to draw it, and they understood it by drawing it. (Which is what little Isaac does, it seems – when something interests him he has to draw it, and he’s always pleased with what he draws) Apparently Paolo Uccello would stay awake at night after his wife had gone to bed, searching for vanishing points, and he’d say, “Oh, what a a sweet thing this perspective is!” And Piero della Fransesca believed in a perfect geometry underlying God’s creation. He saw everything as defined by measurements and numbers, which had mystical properties. Everything was carefully planned, in his art and in the world around him to be pleasantly harmonious. David, who is a painter, will point out how certain colors “hum” when they’re next to each other. Some even create a beat when placed in proximity – almost a flashing in your vision. My piano teacher, who was also a painter, used to say that each painting should have one “key note” color, which stood out from all the other, and didn’t harmonize with the rest of the picture. I think it’s interesting that the visual world is spoken of in musical terms, what with all the humming and the beats! I asked my mom, who is a professor of music history, if people believed certain chords together had magical powers. Oh yes! She said. People used to believe that you are what you listen to, and that you could be driven to certain actions – saintly or diabolical – according to what you heard. Octaves and fifths were pure and safe, but the tritone was the devil in music, and could cause terrible unrest. She said that if you took perfect fifths, and sang them perfectly in tune, by the time you got four octaves up, you’d be a half-step flat. People used to develop all sorts of tunings to solve the problem (well-tempered tuning) and now we use equal temperament tuning, in which we adjust by making everything equally out of tune. “In order to end up on pitch you have to compromise everything else,” Says my mother, “Just like in life.”

Well, I believe that there are certain flavors that go together perfectly, as well. When you taste them they just make sense, and they hum in your mouth. Frequently they grow together and ripen together, which almost makes you agree with Piero della Francesca’s assessment that there’s some divine pattern accounting for all of the harmonies in the world. Tomatoes and basil, for example. Perfect. And I like to think about my piano teacher’s idea of introducing one element of flavor that’s surprising and unexpected, and makes all of the other happily harmonizing flavors more exciting. Some flavors hum along together, some contrast pleasantly, to create a beat. Personally, I love chard and french lentils together. And I love chard and some sweet and tangy fruit. And I love them all together in a crispy crust. I really liked these empanadas! It’s one of my favorite meals I’ve made in a while. I combined chard, which had been sauteed with a bit of garlic and hot red pepper, with lentils, which had been cooked with nigella seeds and sage. I added some caramelized onions, for sweetness. And I added a spoonful of quince jam. I used queso blanco & mozzarella to make everything nice and melty, and bring it all together. I’d read that in argentina they make empanadas with quince paste and salty white cheese, and I guess this is my version of that. We ate these with my version of patatas bravas, which I’ll tell you about in a little while, and, I’m not saying it was a masterpiece, or anything, but it was very pleasing meal to have in out little green backyard on a cool summer evening.

Chard and lentil empanadas

Here’s Leonard Cohen with Hallelujah. Is he talking about a chord with divine and magical powers? I’m never sure. I like the word “hallelujah.”
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Trumpet mushrooms with chard, brie, and smoked gouda

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Trumpet mushrooms and chard

It’s hot as hell, they’re doing construction on the house attached to ours, which apparently requires loud bad radio and lots of cigarette smoking, and the boys are trying to knock all the plaster off the walls and yelling about how mean I am. I’m going to give myself a time out.

Last night we started watching a film by Yasujiro Ozu. He uses these beautiful still “pillow shots” between scenes. They’re shots down hallways, of empty rooms, along an alleyway. They’re not entirely static – the camera is still, but there’s movement of light, or of people walking by, clocks ticking, curtains blowing. You sense that the story is playing itself out somewhere nearby. The shots are so cool, so quiet but not silent. I find them incredibly compelling. I’m a huge fan of stillness in films, and quiet moments. Whether they last the whole film long, or they form a small pocket in a louder busier film. I wish the word “moment” wasn’t overused in precious greeting cards and knick knacks and self-help-speak, because it’s such a good word. A few years ago I submitted a series of short videos to an online gallery run by the remarkable Peter Ferko, a New York artist. The series was called Now:Here:This, and it involved art made in a moment (or a few moments) by people all over the world at roughly the same space in time. I started making short, static videos. I gave myself some rules…they had to last about a minute. I couldn’t change the frame. The sound would be whatever naturally occurred for that minute. I focused on leaves, or water, or shadows, even dirty dishes in the sink. The sound generally involved my children yelling for me and trying to get my attention, which was an idea that I liked a lot. It captured my life at the time (and to this day.) Children always want your attention most when you’re doing something else. When you’re on the phone, or making short videos, or writing about trumpet mushrooms on some stupid blog! I became very taken with making the videos – there was nothing brilliant about them, but I liked the way that shooting them made me think about how long a minute lasts, how hard it is to be quiet and still, how my life sounded, how pretty small things could be. And then Ozu went and stole the idea from me! I’d like to stop and look at my house, for moments at a time, from down a corridor, when nothing is happening. Of course it wouldn’t be quiet and clean and cool, like in Ozu’s films. It would be a warm messy muddle.

Segue! This meal is a sort of warm/cool combination. A warm salad, or a cool stir fry. I went to the Stockton market. I bought some trumpet mushrooms. They were ridiculously expensive. I felt a little foolish, clutching my brown paper bag of precious mushrooms. The meal turned out very tasty, though, so it’s okay, I think. I sauteed some chard with garlic, red pepper, castelvetrano olives and fresh basil. I mixed in some brie, smoked gouda, and goat cheese. (Three cheeses! So extravagant! They were very nice together, and gave the meal a warm, creamy, tangy smokiness that was lovely. But you could use what you have.) The mushrooms I sliced very thinly, and then sauteed in olive oil with fresh sage leaves. The mushrooms and sage leaves became nice and crispy. I said the mushrooms tasted like bacon, and David said…”better than bacon – like steak and bacon. Steakon!” The pine nuts added a lovely crunch. They always have a little bit of a smoky, bacony taste to me, too!! You could easily make this with portobellos, spinach, and whatever cheese you happen to have.

Trumpet mushrooms

Here’s Louis Armstrong with Tight Like This. Geddit? Trumpet mushrooms! Plus this remarkable piece is full of perfect moments.

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