Tag Archives: brie

Artichoke heart, caramelized onion and brie tart

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Caramelized onion tart

You know how they tell you you’ll use pre-calculus when you grow up, but you highly doubt it? When I was in high school, I didn’t like pre-calculus much. I used to sit in class feeling queazy and thinking I might die from appendicitis. (I wish I was kidding!) The teacher, a small, dry man, took me aside and told me I couldn’t avoid everything that confused me. Ha! Proved him wrong! I’ve been doing that for over 40 years, and I pretty much never use pre-calculus skills in the real world. I took another class called Writing and Responding. I don’t think I’d be exaggerating if I said it was one of those classes that shapes your life. It was taught by Carol Lefelt, and I went on to do independent studies with her on Shakespeare, and (If I recall correctly) female poets. She was remarkable! Very questioning, very curious – contagiously so. In Writing and Responding, we learned how to respond constructively to other writers’ work. I’ve thought a lot, through the years, that some of these lessons I have used in real life, not just in responding to writing, but in responding to people! For instance, after reading a piece, you always start by saying a couple of things you like. Specific things, be they ever so small. This seems like such a simple idea, but I don’t know how many times I find myself thinking, “no, no, no…start with something nice, then get to the complaint.” I went to Malcolm’s second grade parent-teacher conference a few years ago. Before I’d sat down, before I’d even crossed the room, his teacher said, “Malcolm is all over the place! He breaks all his pencils!” And I thought, “What you really meant to say, surely, was that my son is so bright and imaginative, and he has so much energy …” And then get to the part about the pencils. Right? Another lesson – instead of saying you don’t like something, or that it doesn’t work, you ask questions about it. That way, the writer, in pondering your questions, will understand that they didn’t get their point across, that they’ve caused confusion instead of clarity. Wouldn’t that be nice? Instead of being scolded, to be asked a few questions that showed you the error of your ways. Another thing we learned, on the writing side, was not to worry about being ready to write, or knowing exactly what you’d like to write, but using the act of writing as a way of figuring that out. “How do I know what I think until I see what I say?” I like this idea a lot. And I’ve found it to be true. In writing, as in life, sometimes the less you fret, the better things turn out. Admittedly, this appeals to me, partly, because I’m a vague and lazy person. And, obviously, some things need to be carefully planned and plotted. You’re not going to build a cabinet, say, or a rocket ship, just slapping some things together and hoping it works. But other things – things that come from some part of your brain you’re not in complete control of, seem to work better when you just do them. You just let them evolve as they need to evolve. I think cooking is like that – for me at least. I’m not a fan of following recipes. I like to dream a bit about what would taste good, and then see what I have, and let it come out as it does.

So – we got some onions from the farm. It might seem odd, but this has been one of my biggest veg challenges to date. I like shallots, chives, scallions… I just don’t love actual onions. They’re too much! I don’t like the smell of them clinging to walls and clothes like some bad dream from a Tom Waits song. But I tried caramelizing them, and I think they’re quite nice. I followed Deborah Madison’s recipe to the letter (except that I halved it). If ever I were to follow a recipe, it would certainly be hers. She’s my hero! And I decided to put them on a big, pizza-like tart. With brie, capers, and artichoke hearts, and fresh sage and fresh thyme. Because I had all those things, and they told me they’d be good together! And they were! This was very easy, and very tasty. I used a buttery pate brisée crust, but you could use pizza dough instead, if you were in the mood.

Here’s Respond React, from The Roots
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Trumpet mushrooms with chard, brie, and smoked gouda

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Trumpet mushrooms and chard

It’s hot as hell, they’re doing construction on the house attached to ours, which apparently requires loud bad radio and lots of cigarette smoking, and the boys are trying to knock all the plaster off the walls and yelling about how mean I am. I’m going to give myself a time out.

Last night we started watching a film by Yasujiro Ozu. He uses these beautiful still “pillow shots” between scenes. They’re shots down hallways, of empty rooms, along an alleyway. They’re not entirely static – the camera is still, but there’s movement of light, or of people walking by, clocks ticking, curtains blowing. You sense that the story is playing itself out somewhere nearby. The shots are so cool, so quiet but not silent. I find them incredibly compelling. I’m a huge fan of stillness in films, and quiet moments. Whether they last the whole film long, or they form a small pocket in a louder busier film. I wish the word “moment” wasn’t overused in precious greeting cards and knick knacks and self-help-speak, because it’s such a good word. A few years ago I submitted a series of short videos to an online gallery run by the remarkable Peter Ferko, a New York artist. The series was called Now:Here:This, and it involved art made in a moment (or a few moments) by people all over the world at roughly the same space in time. I started making short, static videos. I gave myself some rules…they had to last about a minute. I couldn’t change the frame. The sound would be whatever naturally occurred for that minute. I focused on leaves, or water, or shadows, even dirty dishes in the sink. The sound generally involved my children yelling for me and trying to get my attention, which was an idea that I liked a lot. It captured my life at the time (and to this day.) Children always want your attention most when you’re doing something else. When you’re on the phone, or making short videos, or writing about trumpet mushrooms on some stupid blog! I became very taken with making the videos – there was nothing brilliant about them, but I liked the way that shooting them made me think about how long a minute lasts, how hard it is to be quiet and still, how my life sounded, how pretty small things could be. And then Ozu went and stole the idea from me! I’d like to stop and look at my house, for moments at a time, from down a corridor, when nothing is happening. Of course it wouldn’t be quiet and clean and cool, like in Ozu’s films. It would be a warm messy muddle.

Segue! This meal is a sort of warm/cool combination. A warm salad, or a cool stir fry. I went to the Stockton market. I bought some trumpet mushrooms. They were ridiculously expensive. I felt a little foolish, clutching my brown paper bag of precious mushrooms. The meal turned out very tasty, though, so it’s okay, I think. I sauteed some chard with garlic, red pepper, castelvetrano olives and fresh basil. I mixed in some brie, smoked gouda, and goat cheese. (Three cheeses! So extravagant! They were very nice together, and gave the meal a warm, creamy, tangy smokiness that was lovely. But you could use what you have.) The mushrooms I sliced very thinly, and then sauteed in olive oil with fresh sage leaves. The mushrooms and sage leaves became nice and crispy. I said the mushrooms tasted like bacon, and David said…”better than bacon – like steak and bacon. Steakon!” The pine nuts added a lovely crunch. They always have a little bit of a smoky, bacony taste to me, too!! You could easily make this with portobellos, spinach, and whatever cheese you happen to have.

Trumpet mushrooms

Here’s Louis Armstrong with Tight Like This. Geddit? Trumpet mushrooms! Plus this remarkable piece is full of perfect moments.

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