Red rice, red lentil, and black bean chili

Red lentil and red rice chili

Red lentil and red rice chili

“I don’t mean I’m oversexed or anything like that – although I am quite sexy.” So saith Holden Caulfield. I’ve always loved Holden’s interpretation of the word “sexy.” It has nothing to do with looks or skill or experience and everything to do with curiosity and enthusiasm. He’s sexy because he thinks about sex a lot, and by this standard everybody is sexy! I think this shade of meaning should be applied to many other words as well. Sometimes I think I’m a funny person, not because I make good jokes, but because I like good jokes. I’m no wit or wag or stand-up comedian, but I like to look for the humor in most situations, I like to be around people who are cleverer and funnier than me. I’m musical because I love music, not because I’m particularly good at playing it, although I like to try sometimes. I always have a song in my head, and often I will sing it. Similarly, in this light, a person could be beautiful not because of any physical attributes, but because they find beauty in the world and people around them. This attitude seems so much more warm and genuine and generous than more judgmental use of these words, which reward some people and find others lacking. It’s all from within, attainable and universal. And it’s so much more true to life as it’s actually lived. Sexiness, for instance, has little to do with makeup and clothes and airbrushing and all of the other trappings of foxiness that we’re sold on a daily basis. It has everything to do with confusion and passion and messiness and ardor; qualities that can’t be graded, sold or faked. I believe this is true of most things in life worth pursuing, of anything that we create,it’s all best when it’s fueled by fervor, emotion and imagination, even if it’s something you don’t understand at all.

David said this was the best chili I’d ever made! I made it on a snowy snowy night, the should-have-been-a-blizzard of ’15. The red rice has a nice, chewy, toothsome quality, which makes this satisfying and comforting. The red lentils cook down to become almost creamy, and the black beans add their lovely earthiness. It’s smoky with smoked paprika and roasted red peppers, and brightened with a little balsamic, pepper flakes and cumin. Red rice can be found in most grocery stores, these days, at least the fancier ones. It’s vegan if you leave the butter out, which you could easily do.

Here’s Right Said Fred, of course!

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Roasted butternut and yellow split pea soup

Roasted butternut and split pea soup

Roasted butternut and split pea soup

It’s the season for reflection, for looking back on the year just passing and taking a reckoning of all you’ve done or left undone. The wise men of newspapers and magazines are making lists of all the worst and best things that have happened over the course of a year, and Facebook’s computers are compiling photos of the most important events of our lives for us to share with our friends. And what is the phrase that has been stuck in my head with contrary steadfastness these past few days? “Don’t look back.” I’m unaccountably fascinated with this idea at the moment. It is, of course, one of Satchel Paige’s rules for longevity, “Don’t look back. Something might be gaining on you.” And D.A. Pennebaker borrowed the phrase from Paige for the title of his beautiful 1967 (1967!) movie about Bob Dylan. And Bob Dylan himself used the phrase in his song She Belongs to Me, “She’s an artist, she don’t look back.” It’s an idea that shows up in myths from all over the world. Orpheus leading Eurydice out of Hades, Lot’s wife fleeing Sodom. If you look back you’ll be punished for disobeying a rule, for lacking trust or faith, for seeing God at his awe-ful job. But what does it mean? What does it mean? It can’t mean that we shouldn’t sift through our memories, and revisit people and places from our past life. We’d be nothing without our memories. Our future would be meaningless without our past. It can’t mean that. Is it spoken by someone who fears aging, like I do, and is frightened to see how fast it has all gone behind them, and how rapidly it will fly before them? Is Satchel telling us that we shouldn’t let fear of what has gone before frighten us about what’s to come? And what is gaining on us? What slouching beast? These are the questions we wrestle with on sleepless nights. Today I read the passage from Virgil’s Aeneid called “The visit to the underworld.” This was written more than 2000 years ago. Get your mind around that. I’m not sure that people have changed all that much, and I find it a strange comfort to look back all that way into someone else’s life, and see echoes of my own.

In the center is a giant and shady elm-tree, spreading branches like arms, full of years. False Dreams, so it is often said, take the tree for their home, and cling everywhere beneath its leaves.

Here’s The Temptations with Don’t Look Back. We’re gonna leave all our troubles behind.

This soup! It was tasty because butternut squash and yellow split peas are ridiculously tasty. Plus it has nice spices in it. It takes quite a while to cook the split peas, or it did for me, so plan ahead!

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Roasted mushroom and white bean soup (with smoked basmati rice, of course!)

Smoky roasted mushroom and white bean soup

Smoky roasted mushroom and white bean soup

American mythologies #3: The end is nigh. In America everybody will try to sell you something. That’s how the system works. Your waiter wants you to buy another drink, at the food store they want you to buy a lot of snacks you don’t need, at the clothing store they want you to buy more clothes than you’ll ever wear, at the big big stores they want you to buy all kinds of crap you never needed to know existed, your kids want you to buy cheese-stuffed pretzels and wrapping paper for some club or other, the nice artist next door wants you to buy his paintings, the failed novelist wants some publisher to buy her stupid novel, the pharmacists want you to believe you’ll die without their medicines, the people on the news want you to buy their lies about how everything is going to hell, so that you’ll watch more news and buy all the products their sponsors advertise. If you’re an American, chances are you, yourself, are trying to sell something to someone much of the time, whether you want to or not. All year long, but this time of year most of all, every bit of mail I get, either from the postman or my computer, every message I receive, is a frantic alert that I’m about to miss an opportunity! Time is running out! Everything ends in two days! Or ten hours! Or by the time you finish reading the message! Act now! Act now! Act now! Don’t delay or the moment will be gone. You will have missed it, and it will never ever come back.The sale will be over, and you won’t have bought the thing you never knew you needed at a slightly reduced inflated price, and you might as well just off yourself. And then you watch the news, which ignores anything of actual significance to warn you of deadly terrors that, well, they’re unlikely to touch your life, but YOU NEVER KNOW! And when you’re in a constant state of near-panic, a never-ending ferment of knotty anxiety, the last thing you want to hear is that this is your last chance! YOUR LAST CHANCE for an exclusive special offer! Beat the clock! Before midnight! Only hours to go! Limited time hot deal! TODAY ONLY!! FINAL HOURS!! FINAL HOURS!! * Your absolute very last final last chance! Until the next time, of course, because as soon as you delete that one email, or recycle that one flyer, another will appear in your mailbox, offering a different sale for the same product. And when you ignore that one another will come along. And another and another. Until it’s all just noise, the words have no meaning, time has no meaning, it’s not really passing, it’s in some strange cycle from day to day till the last syllable of the next dozen emails you open. The truth, children, is this: Time is passing at an alarming rate. It’s running and passing, and flying by more quickly with each unfolding day. So don’t waste it buying things. Don’t waste it in stores or online shopping carts. You will never regret not buying that one thing you probably don’t need, but you might regret time you don’t spend with people you love, doing things that you love. Act now! To make something you feel good about…a picture, a story, a meal. And when you do buy something, because you must eventually, try to buy it from somebody who, in making it, was doing something that they love. If time is running out, spend it well, it’s the most important thing you have to spend.

I told you I was going to put smoked basmati rice in everything I made from now on, and this soup is no exception! (You could make this with regular basmati rice or even white rice. It will still be smoky from the roastedness and the smoked paprika.) This is a really meaty, umami-isn soup. You could make it even more so by adding a dash of tamari, a smidgen of marmite, or a spoonful of miso paste. I didn’t think it needed that, though. It’s plenty flavorful as it is. It’s also pretty easy to make. It doesn’t take long to roast the mushrooms, and don’t be afraid to cook them till they’re quite well-browned, it will deepen the flavor. This soup will still be creamy, and it will be vegan if you leave the small bit of butter out.

Here’s Big Youth with Wolf in Sheep’s Clothing. Spot the sample!

    Time is running and passing and passing and running, so you all better get it right this time, because there might be no next time.

* actual messages from my deleted folder!
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Smoked basmati rice!!! And smoky red lentil and pine nut croquettes

Red lentil and smoked basmati croquettes

Red lentil and smoked basmati croquettes

Well, I’m still thinking about American mythologies, and today I’m thinking about our creation myths. Maybe because it’s Thanksgiving-time, or because I’ve been helping Malcolm study for his social studies test, I’ve been thinking about the birth of our nation. The boys have been steeped in comic book culture lately, so I’ve been thinking of the whole situation more as an origin story than a creation myth. We think of ourselves as a super-power, after all. A superhero nation, coming to the aid of everyone else in need. “With great power comes great responsibility” could be our national motto, particularly when we’re trying to think of excuses to invade other nations, for one reason or another. And like all good origin stories, ours is fraught with drama, well-intentioned, and deeply flawed. Like all heroes, we have a weakness, visited upon us before our birth, deeply entangled with everything in our history, everything that has ever befallen or ever will befall our nation. I will admit to you that while I was studying with Malcolm, I was moved nearly to tears. (It doesn’t take much these days!) I was moved to think about these men talking about ideas, and to think that they recognized the gravity of their task. They knew how momentous a thing it was to forge a nation, and in doing so to discuss ideas such as natural rights. Natural rights! What a mind boggling concept! Every man is entitled to Life, Liberty, and Property. It’s such a beautiful thought. Until you read further, and you realize that, of course, it’s every white man. And there it is, the fundamental flaw. The system was created by white men to be protected by white men to protect white men. Any changes to it were made by white men for hundreds of years. For far longer than we’d like to admit to ourselves. And certainly things are changing, slowly and haltingly. But the fundamental fault in our foundation still resonates in every decision we make, every action we take, as people and as a nation. We can never forget that, and when we tell the myth of our creation, which has so much to admire and to celebrate we have to tell that part, too.

Smoked basmati rice, pine nut and red lentil croquettes

Smoked basmati rice, pine nut and red lentil croquettes

Smoked basmati rice!! Who knew? Not me. I found this at Wegmans and I was so ridiculously excited about it. It smells amazing when you open the bag, amazing while it’s cooking. It’s decidedly smoky tasting. I made it once just to try plain, and found it delicious. Then I had the idea to try it like this. And I’m quite proud of myself, because I wasn’t at all sure that it would work, but it did! First I soaked the rice and the red lentils (separately) for about eight hours. You could probably get away with five or so, but I don’t know for sure because I haven’t tried it. Then I drained them and processed them till coarsely ground. Then I added some smoked gouda, and egg, some pine nuts, some garlic and some smoked paprika. And I processed them again until fairly smooth. Like thick cookie batter. Then I fried them in a shallow pan of olive oil. Crispy, flavorful, and smoky like bacony baconless croquettes. We had them with a smooth creamy dipping sauce of pine nuts and (store-bought) harissa. And that’s that! You could easily add other herbs and spices if you like. I think you could make this without the egg and cheese, if you wanted it to be vegan. If anybody tries it, let me kwow! And you could easily make this with non-smoked basmati rice, if that’s all you have. Although, honestly, I’m putting smoked basmati rice in everything I make from now on!

Here’s Blind Willie McTell with Amazing Grace

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Chickpea and sweet potato tacos

Sweet potato chickpea tacos

Sweet potato chickpea tacos


I’ve been thinking lately that hope is some sort of involuntary muscle. We have absolutely no control over it. You can tell yourself not to get your hopes up. You can believe that you’re not getting your hopes up. You can lie to yourself about it so cleverly that you don’t know you’re doing it. But when you’re disappointed, and you feel your hopes crashing to great depths, you realize that you’d been hopeful all along, despite your best intentions. And when your hopes come to rest, down there in the deep depths, you can tell yourself that you’ll keep them down this time, you’ll suppress them and block their every attempt to rise again. But it won’t work. You can’t keep them down any more than you can stop your heart beating just by thinking about it. Your hopes will rise again all around you, though you can’t see them and maybe even can’t feel them, and before you know it you’ll be working on something again. You’ll forget the rejection and disappointment, and you’ll try to make connections. You’ll try to give your hope something solid and substantial to float on, something not so easily dashed and capsized. This must be true for everybody, however cynical they are, however much success and riches and love they have. They must feel the same cycle of hopes rising and falling and rising again, for all things big and little in their life. It must be involuntary for everyone. Doesn’t it seem sometimes that hope is necessary for survival, as necessary as air?

Sweet potato and chickpea tacos

Sweet potato and chickpea tacos

These tacos are very autumnal! Warm colors, warm flavors, smoky sweet and spicy. Quick and easy to make, too. We ate them with warm tortillas, grated sharp cheddar, shredded lettuce, diced tomatoes, sliced avocado. All the usual suspects! And basmati rice of course. You could just eat it over rice, as is. Or you could add some broth and make it saucier, and eat it as a soup or stew with crusty bread. Vegan if you leave the butter out!

Here is Jordil Saval with Good Again by Tobias Hume, which comes after a song called “My hope is decayed.”

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Golden split pea and tomato soup

Golden split pea and tomato soup

Golden split pea and tomato soup

Isaac ends his sentences with an ascension. His voice travels upwards at the end of each thought. Sometimes it trails upwards in a lengthy and leisurely fashion. Sometimes, when he’s indignant, it rises sharply to unhearable heights. It sounds like he’s asking a question, even if he isn’t asking a question. This is not uncommon, I think. I’ve heard other children talk in this fashion. The question is why, and here at The Ordinary’s institute for analysis of vocal inflection, we’ve been looking into it. We’ve been examining data, both quantitative and qualitative, and using the scientific method to posit hypotheses before testing them against focal groups and sample fields. (I’ve been helping Malcolm with his biology homework!) We’ve come up with two possible theories to explain the phenomenon. One is that Isaac’s thoughts are buoyant. They bubble out of him and float up into the atmosphere. They’re not insubstantial, they start with a pleasant weight and depth, but they’re uncontainable, exuberant, they catch the breeze and rise like kites to travel where Isaac’s unusual mind will take them. Like to the lark at break of day arising
from sullen earth, Isaac’s thoughts sing hymns at heaven’s gate. This is one theory. The other, more probably theory, is that he doesn’t believe we’re paying attention, so each statement is a question, a “did you hear these words, are you listening?” question. Well of course we’re listening! We catch his words as they float out of him, and they help to lift us up on even the dreariest of days.

Speaking of dreary days, if you’re experiencing such a thing, make this soup! It’s warm and bright, a little spicy but very comforting. I made it with golden tomatoes from our garden, which gave it a pretty color. You could make it with any kind of tomatoes, though, it would still be good. We ate it almost as dal, over rice. I added some chopped baby spinach to mine. You could eat it just as it is, though, with some nice crusty bread, for a perfect autumn meal.

Here’s As I Rise by the Decemberists.
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Smoky eggplant-pistachio mince, and Turnovers with eggplant mince, white beans, roasted peppers and olives

Eggplant and white bean turnovers

Eggplant and white bean turnovers

I have a new job. I like it a lot, but I still feel like I’m just getting used to it. I have these strange anxiety dreams that have nothing to do with the actual job–waitressing anxiety dreams, or middle school anxiety dreams (although these probably have more to do with Malcolm actually starting middle school). My old job was a lot of walking and talking to people. My new job is lots of sitting and writing and looking. Part of my work is deciding if images are ready to be made into prints that artists can sell–if they’re cropped correctly, and in focus, and of a sufficiently large size. This part of the job was hard for me at first. I’m naturally a second-guesser. I don’t always trust my eyes. I don’t really like to be the decider, especially if it involves someone else’s work. But here’s the funny thing. Each artist’s work is wildly different from every other artist’s work. Some are sweet, some are pretty, some are disturbing. Some are oil, some pastel, some drawings or prints or mixed media. Obviously I don’t love everything I see. Nobody would. I like certain kinds of art just like everybody else does. But it’s my job to look at the work as closely as I can, to zoom right in and make sure everything is in focus. And I’ve experienced such a strange phenomenon. When I look at each image as closely as I possibly can: too close to see the subject matter, but close enough to see each brush stroke or pencil scratch, too close to even read the signature, when I see them like this I love each one. I often wonder why people do what they do–why they say what they say and write what they write and sing what they sing and draw what they draw. Why that particular thing, why bother at all? Well, when you see them up close like this, you realize that this is a useless question. It doesn’t matter why. It doesn’t matter what. It’s beautiful just that they tried, they created something with their own hands, with strokes that no other hands could have made in exactly the same way. Many of them are just Ordinary people with day jobs, for many of them art is not a career, it’s a passion. But I like to think about them going about their day thinking about their art, with that bright spark in their mind and then giving that spark life with strokes on canvas or paper. I like to think about that.

Eggplant and white bean turnovers

Eggplant and white bean turnovers

More eggplant! This was sort of a failed dish that turned into something better. I was going to make eggplant cutlets or kofta, but they fell apart, and I ended up making a sort of mince. I thought it was really good! We made a fire in the back yard and put the eggplant right into the fire, till they were charred and melty. When they were cool enough I peeled them and mashed them with some pistachios and garlic and herbs. And then I ended up frying them almost like I was making scrambled eggs or hash browns. The first night we ate this with sautéed chard and some bread that I made and a creamy pistachio sauce. The next night I made turnovers or empanadas with leftover eggplant mince and white beans, olives, roasted red peppers and leeks. Even Isaac liked them! He ate seconds!

Here’s the Velvet Underground with Sweet Jane, because I’m currently obsessed with it, and because you could be a clerk and still make art.

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Yellow squash and white bean empanadas

IMG_4277There’s a vine that grows outside our front door and along the back fence of our garden. It’s called wild clematis, or devil’s darning needles or old man’s beard. It has beautiful little white flowers, and the most intoxicating fragrance, not too sharp or too sweet, indescribable. Like honeysuckle, it blooms at the beginning and the end of summer, and like honeysuckle, it always comes as a sweetly melancholy reminder of summer’s passing. How fast these lazy days go! You can feel it…you can feel the hours drift away. Yesterday I took a blanket out for Clio, who likes to lie in the sun, but the sunlight moves so quickly these days that I couldn’t keep up. It races across the yard. We’ve had a ridiculous spate of perfect weather, the kind that almost hurts when you step outside, because you know it can’t last, and you feel as though you need to savor every moment of it, you don’t want to spend a second in the house. You want to feel the way the chill leaves the air in the morning and the day warms up but the shadows are so perfect, this time of year, that wherever you walk you move comfortably through sunlight and shadow in equal turns. The very air feels good, you walk out into it as you jump into water of the perfect temperature, it feels good on your skin, it feels good to move through it. This time of year, this kind of weather, you think about all of the summers of your life; when you were little and school started soon, when you’re older and you still have that strange feeling of transition, though you haven’t had a first-day-of-school in years. You think about all of the summers to come. I recently discovered the Portuguese word “saudade,” which is a beautiful thing. A sweet sort of nostalgia, missing something but glad that you knew it, and hoping to know it again some day.

“The famous saudade of the Portuguese is a vague and constant desire for something that does not and probably cannot exist, for something other than the present, a turning towards the past or towards the future; not an active discontent or poignant sadness but an indolent dreaming wistfulness.”

As the poets of wikipedia say, “one feels an interior satisfaction because it is impossible to find something, but one never stops thinking that one is searching for it.”

And doesn’t that sound like late August? Doesn’t that sound like the light shifting fast, and the days dawning cold, and the wild clematis blooming outside your door?

Summer means summer squash! We got three lovely little summer squash from the farm. I decided to make empanadas with them. I combined them with white beans, spinach, cherry tomatoes, small hot peppers, some herbs from the garden and sharp cheddar. They were a nice combination of crispy and tender. Very light, for an empanada. We ate them with a fresh tomato sauce, but you could make it all simpler still by chopping some summer-ripe tomatoes and having that alongside.

Here’s Saudade, by Cesaria Evoria.

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Summer squash and chickpeas with olives, raisins and basil

Summer squash with chickpeas, raisins, olives and basil

Summer squash with chickpeas, raisins, olives and basil

Both boys have friends over. The little ones are playing together and describing very unlikely and very funny scenarios. “What if somebody was singing ‘Let it Go’ to a guy hanging off a cliff?” or “Who wants lunch?” “Me!” “I was talking about you being my lunch!” And the bigger boys, who have phones, are staring at their phones. We got Malcolm a phone for his birthday. It’s not a fancy one, it doesn’t do much, but I think he likes having it. Of course it’s depressing to see people lost in their phones, unaware of the world around them, shut off from nature and from living human society. It makes me sad that we’re all losing the ability to sit and do nothing and receive no information from the outside world beyond what we can see and hear and smell immediately around us. I’d rather see the boys “playing with their imaginations,” as Isaac says. As a word lover I’m not a huge fan of texting with its lazy abbreviations and insipid content. However, also as a word lover I’m so happy to exchange texts with Malcolm! He’s so funny and sweet. He texts us from across the room, from up the stairs, from the back seat of the car. And he texts from his friends’ houses when he’s far from home, so we know how he’s doing.
IMG_3941 IMG_3942
I can’t help thinking (again) of René Clair’s enthusiastic praise of film as a new technology, “In this era, when verbal poetry is losing the charm it exerted on the masses … a new form of poetic expression has arisen and can reach every beating heart on earth … a poetry of the people is there, seeking its way.” And there is poetry in short lines exchanged between people, when they’ve whittled their words down to express only the most important message, when they’ve tightened their language to convey the most meaning. There’s wit and poignance even in the inevitable misunderstandings and misspellings. Even the words themselves have been distilled to their essence. It reminds me of this poem by Robert Creeley:

I Know a Man

As I sd to my
friend, because I am
always talking, — John, I

sd, which was not his
name, the darkness sur-
rounds us, what

can we do against
it, or else, shall we &
why not, buy a goddamn big car,

drive, he sd, for
christ’s sake, look
out where yr going.

“In saying his poems, Creeley stops briefly at the end of each line, though without dropping the pitch of his voice. This gives it a jazzy, syncopated rhythm, very nervous. Thom Gunn calls it ‘a kind of eloquent stammering,'” which is how you could describe the rhythm of text conversations, although truly they are not always eloquent. Phones are here to stay, and are only going to become smarter and more engrossing as the years go along. We might as well embrace their brief rough poetry, we might as well be thankful for the way that they connect us.

It’s summer squash season! I like summer squash, but sometimes it’s hard to get excited about cooking it day after day. This was an exciting dish, though. Full of flavor and nice textures. I like the combination of jalapeños, raisins and olives, sweet and spicy and salty. I like grated zucchini and yellow squash, because they tend to melt into a dish, imparting their fresh summery flavor.

Instead of a song today, I’ll give you a video of a man using his phone to make little films that make the ordinary more interesting.

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“Mediterranean” white bean “chili” with avocado corn salsa and pesto

White bean chili with pesto and avocado corn salsa

White bean chili with pesto and avocado corn salsa

Godard’s 1967 film La Chinoise is full of words. The characters talk constantly, the walls of their apartment are painted with giant phrases and mottos, and the screen flashes with intertitles in a strange and jarring rhythm. And, of course, we don’t speak French, so we were also reading subtitles, as all of the dizzying layers of text were translated for us in rapid succession. The film is a loose adaption of Dostoyevsky’s novel The Possessed, and it tells the story of five university students intent on violent revolution. They discuss ideology, they discuss art, they’re very well-read, and they talk about literature and theater and music. They discuss their plans, and for most of the film we suspect they’ll be all talk and little action. They discuss their love for one another, or their lack of love. They talk about class struggle, they talk about the workers, but they never work. Except for Yvonne, one of two women in the group, who is constantly cleaning, and tells of her part-time work as a prostitute so that she can afford things. The film is shot mostly in the claustrophobic world of their apartment and their minds, both teeming with ideas and words so beautifully layered and confused and constant that they start to make a strange sort of sense. I think the film must have been one of Godard’s first color films, and he’s beautifully aware of color. Everything is red, white and blue, with Mao’s Little Red Book appearing in shifting stacks and patterns, becoming almost a character. The film is full of humor, it’s an affectionate satire. The students are foolish, even frighteningly so at times, but Godard loves them even as he disparages them. In one long beautiful scene, which finally breaks out into the world beyond the apartment, Veronique meets her old philosophy professor, a former revolutionary for the Algerian national liberation movement. She talks about her deeply-held political beliefs and she sounds like a child: she wants to close the universities, but she talks about how her one summer of actual work caused her to do really well on her exams. She talks about using bombs, and she says the word like a child would. As in Masculin/Feminin, the violence is off-screen, botched, dreamlike. It’s hard to know if it really happened or if it’s all in their heads. The whole film is like a dream, floating away with humor and words and sixties pop style, but grounded with the idea that these students are discussing real people and real problems that continue to affect people around the world.

avocado corn salsa and pesto

avocado corn salsa and pesto

Do you like all the quotation marks in the title?!? It’s because this isn’t really mediterranean, and it’s not really chili. It seemed mediterranean because it has olives and beans and rosemary and pesto and harissa. It’s like chili because it has chili paste and beans and it’s a spicy sort of stew. Whatever you call it, it was very tasty. The chili is warm and rich and savory, and the salsa is light and sweet, and the pesto adds a real kick of flavor. We ate this with zucchini corn bread, but you could warm up some tortillas and eat it as tacos instead.
White bean chili

White bean chili

Here’s Mao Mao, a poppy punky song by Claude Channes from La Chinoise, which pretty much sums up the whole film.

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